Diablo review – Scott Adkins enters Cormac McCarthy territory in over-the-border revenge thriller
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‘I said goodbye to Heath Ledger at this urinal’: a stroll round Terry Gilliam’s pivotal places
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Nostalgia loop: it’s time for Sony to get Tobey Maguire and Andrew Garfield back in their Spidey suits | Ben Child
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Interstellar’s second life: how Christopher Nolan’s most divisive film became his most loved
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Secret Cinema company is bought by Hollywood power broker
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Strange Harvest review – lurid horror expertly disguised as true crime
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‘I hope he goes to jail’: Brazil’s Cannes-winning director on Bolsonaro and political amnesia
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Go bald or go home: LA cinema offers free Bugonia ticket to those willing to shave their heads
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Diamond Sky review – fairytale heist thriller has its head in the clouds
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‘Stole my heart’: why My Best Friend’s Wedding is my feelgood movie
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Levers review – gloom-laden experimental eclipse drama about the play of light and darkness
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Story of Indigenous activist’s murder takes top prize at London film festival
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‘Why are our black boys hurting each other?’ Letitia Wright on the deaths that inspired her directorial debut
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Palestine 36 director Annemarie Jacir: ‘We don’t want a state, we just want to live’
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& Sons review – Bill Nighy and Imelda Staunton’s riveting showdown rescues a laborious plot
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‘Our world is combustible’: Kathryn Bigelow on AI, Andy Warhol and nuclear Armageddon
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Warner Bros Discovery says Israeli film boycott ‘violates our policies’
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Blue Moon review – Ethan Hawke is terrific in Richard Linklater’s bitter Broadway breakup drama
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Al Pacino on co-star and ex-girlfriend Diane Keaton: ‘She lived without limits’
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Neurodiverse collective wins award for ‘creative audacity’ at London film festival
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‘We want to use this as a launchpad’: can A24 also conquer the world of theater?
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Black Phone 2 review – hit horror sequel lumbers toward Elm Street
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Elliott Gould remembers Diane Keaton – ‘We snuck into a bush and she said: “This is called making out”’
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Diane Keaton died of pneumonia, family reveals
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‘Theatre is an elitist artform for privileged people’: Daniel Day-Lewis talks class, cinema and his crush on Mary Poppins
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‘She does terrible things’: what can a Marvel director do with Ibsen’s ruthless heroine Hedda Gabler?
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From Heat to thermals: Al Pacino and Robert De Niro have paired up to flog puffer jackets
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Drew Struzan, poster designer for Star Wars and Indiana Jones films, dies aged 78
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‘Left me physically exhausted’: readers on their most stressful movies ever
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Diane Keaton remembered by her final director: ‘Cameramen dissolved into puddles at her feet’
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‘Shattered my whole world’: the wild story behind stranger-than-fiction drama Roofman
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‘My eyes are stinging, but damn it, they’re open’: surviving a 12-hour Twilight marathon in the year 2025
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Louder than Bombs: Joachim Trier’s thorniest film might be his best
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The House at Hallow End review – home renovation horror finds emotional heft among the terror
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Keanu Reeves says Diane Keaton was ‘a generous artist and very special person’
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Sunlight review – monkey-suited woman goes on road trip in Nina Conti’s super-quirky directing debut
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The Secret of Me review – documentary tells tragic story of childhood intersex reassignment surgery
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‘Risky is the best way to be’: Tim Curry on sexuality, surviving a stroke – and 50 years of stardom
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Could ‘trash fashion’ save this Nairobi neighbourhood from drowning in discarded western clothes?
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‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton
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‘The most spontaneous person I’ve ever met’: Guardian writers remember Diane Keaton
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H is for Hawk review – Claire Foy is tremendously authentic in eccentric grief drama
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‘I cared only what Diane Keaton had to say’: Woody Allen pays tribute to late actor, co-star and former partner
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Souleymane’s Story review – superb performance ballasts drama of man clinging on in the margins in Paris
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‘Cosy and comforting’: why The Fellowship of the Ring is my feelgood movie
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Cutting Through Rocks review – the female firebrand fighting the patriarchy in rural Iran
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Tomorrow I Leave review – poignant portrait of a care worker sacrificing her home life for her work
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From Annie Hall to Something’s Gotta Give: Diane Keaton was the quintessential comedy queen
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‘How is this possible?’: a new film looks inside the appalling abuses of the Alabama prison system
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Diane Keaton’s style: she dodged the stamp of the machine
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My foolproof guide to living with a partner – and not falling out about home decor | Polly Hudson
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An ethereally self-aware comedy genius: the loss of Diane Keaton is devastating | Peter Bradshaw
The Guardian
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Diane Keaton, Oscar-winning star of Annie Hall and The Godfather, dies aged 79
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Do we need Imax? 70mm? VistaVision? All I need to watch movies at the cinema is darkness and quiet | Larry Ryan
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‘Verging on unwatchable’: Guardian writers on their most stressful movies
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Is This Thing On? review – Bradley Cooper’s comedy of comedians is a charmer
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Moss and Freud review – Kate meets Lucian and they get on brilliantly with absolutely no funny business at all
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Post your questions for Penelope Wilton
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Monster munch: can Predator: Badlands survive the removal of its unashamedly ultraviolent roots?
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John Candy: I Like Me review – starry but treacly tribute to comedy legend
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Forgive Us All review – a dead-boring zombie film? That’s unforgivable
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‘It’s like fencing with a close friend. Terrifying in a lovely way’: Colin Farrell and Tilda Swinton on taking a gamble with their new drama
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Good Boy review – Stephen Graham and Andrea Riseborough turn nasty in Kubrickian absurdist nightmare
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Vicious review – Dakota Fanning’s evil box horror is an open-and-shut dud
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Black Is Beautiful: The Kwame Brathwaite Story – exhilarating record of game-changing photographer
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Marlon Wayans: ‘People get very violent about White Chicks’
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The Perfect Neighbor review – a notorious shooting through the eye of a Florida cop’s body-cam
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Colin Hanks on his John Candy documentary: ‘Inspiring for me as an actor’
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Cover-Up review – Laura Poitras’s Seymour Hersh documentary is a thrilling ode to journalism
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Maintenance Required review – Amazon’s synthetic You’ve Got Mail rip-off
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