Beyond Trainspotting: The World of Irvine Welsh review – uniquely funny writer holds court
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The mother of all meltdowns: Rose Byrne on playing a parent cracking up in her taboo-busting new film
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The President’s Cake review – toughly revealing story of kid on a baking mission for Saddam Hussein’s birthday
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Method dressing: nine actors who stayed wildly in character on the red carpet
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Eternal Sunshine of the Spotless Mind was never a love story. It was a warning
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The far right in power always co-opts culture – in France, it has already begun | Alexander Hurst
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Melania drops by 88% to No 62 at UK box office, with £66 site average
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Whistle review – a smart, sympathetic spin on the cursed-artefact horror
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The Swedish Connection review – uplifting real life tale of Stockholm bureaucrat who outwits the Nazis
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Jimmy and Stiggs review – skull-numbingly silly alien-invasion splatterpunk yarn
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My helicopter went into freefall – inside an active volcano
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Goat review – noisy, lightning-speed basketball animation does it for the kids
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From Spielberg to Tarantino: the year’s big Super Bowl movie trailers
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‘Chia pudding is Cathy’s composed side’: the wild and worrying world of official Wuthering Heights merchandise
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Melania drops 67% at US box office as Rotten Tomatoes defends record-breaking audience scores
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‘If I didn’t write about him, I’m afraid I might become him’: the making of Taxi Driver at 50
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Stitch Head review – animated adaptation of hit Frankenstinian tale hangs loosely together
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‘Reconciliation across difference’: why Practical Magic is my feelgood movie
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What We Hide review – opioid-crisis thriller sees sisters pick up the piece and hide their mother’s dead body
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‘I’m not blaming Bond for screwing up my career’: Maryam d’Abo on playing a thieving writer on stage – and a sniper cellist in 007
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Larry (They/Them) review – trans photographer’s colourful creative journey into everyday life
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Ella Baron on Jeff Bezos’s cuts to the Washington Post – cartoon
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‘People keep reinventing the same damn movie’: cinematographer Roger Deakins on 50 years behind the camera and his fears for film’s future
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‘We’re used to crowds’: latest Wuthering Heights hype doesn’t faze Yorkshire residents
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The women who saw Melania in theaters: ‘If you’re Republican, this is girls’ night’
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Billy Crudup: ‘My celebrity crush? I got to marry her’
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The Guide #229: How an indie movie distributed by a lone gamer broke the US box office
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Austin Butler to play Lance Armstrong in big-screen biopic
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The Strangers: Chapter 3 review – pointless remake trilogy ends with a sputter
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Sales of Brontë’s Wuthering Heights skyrocket ahead of film adaptation
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Doctor Doom is Iron Man’s evil shadow? The most far-out fan theories about Avengers: Doomsday
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‘I’ve been advised not to say certain things’: The Secret Agent makers on Oscars, dictators and death threats
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Purr-fect casting: is Orangey the most important movie cat ever?
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‘I’m so co-o-old’: ahead of Wuthering Heights, the 20 best films with dreadful weather – ranked!
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Emerald Fennell hopes Wuthering Heights will ‘provoke a primal response’
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From Jay Kelly to Wicked 2: the Oscar-primed films that fizzled this season
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‘I don’t want to do the same thing over and over’: Stacy Martin on risky roles, tequila at the Oscars and her Jurassic Park dream
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Hamlet review – Riz Ahmed’s tortured prince drives chilling modern take through London’s streets
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Melania is a rubbish film. Of course the man who defunded the arts loves it
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Relationship Goals review – Kelly Rowland and Method Man flirt through breezy romcom
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‘A god-tier new classic’: first reactions to Wuthering Heights praise ‘hot, horny’ Emerald Fennell adaptation
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V/H/S/Halloween review – plenty of grisly invention in latest helping of engaging horror anthology
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André Is an Idiot review – a riotously funny, painfully honest film about facing death
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The Stunt Man review – Peter O’Toole runs amok in a gleefully deranged Hollywood satire
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New home, new outlook? What’s next for the Sundance film festival?
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‘Playing a god became a safety net’: Chris Hemsworth opens up about Thor, money and his insecurities
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‘Crime is a disease. Meet the cure’: Sylvester Stallone’s self-serious cop movie is ludicrous fun
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I confessed a deplorable secret about motherhood to a friend – and it changed my life | Polly Hudson
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Ashes and Diamonds review – Poland faces bleak postwar realities in Andrzej Wajda’s 1958 masterpiece
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The Shepherd and the Bear review – two endangered species scrap for survival in the Pyrenees
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‘I was still black the next morning’: Halle Berry says Oscar win didn’t change her career
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‘It’s a fun cocktail!’: the Wooster Group’s head-spinning blend of high and low art
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Frontier Crucible review – Armie Hammer makes cautious acting return in talky, slow-burn western
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One win after another: Paul Thomas Anderson film dominates London Critics’ Circle awards
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The Fall of Sir Douglas Weatherford review – Peter Mullan gives weight to quirky Scottish dramedy
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Melania debuts at No 29 at the UK box office
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The rise and rise of Australia’s cinematheques: ‘There’s just a particular magic’
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‘I was on stage and she started kicking!’: Lucie Jones on Les Mis, performing pregnant and defying gravity at Glastonbury
The Guardian
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Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror
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Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror
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Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2
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Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight
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Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran
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‘Endlessly quotable’: why Wayne’s World is my feelgood movie
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Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller
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Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage
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‘Yes, they would execute a child’: the film about a girl who has to bake a birthday cake for Saddam Hussein
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Do You Love Me review – exhilarating documentary is ode to the collective courage of Lebanese people
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Catherine O’Hara obituary
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‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
The Guardian
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