Swapped review – animated Netflix adventure plays like off-brand Pixar
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The devil wears Primark: is the romcom reporter about to get the sack?
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The Purge but for sex? One Night Only might be the year’s strangest romcom
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Mass review – forgiveness doesn’t come easily in masterly school-shooter drama
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Say hello to my little compendium! Al Pacino films – ranked
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Highlander review – dodgy accents no trouble to exciting, epic and unashamedly fun 80s blockbuster
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Creaky knees be damned – Charlize Theron is showing us what’s possible at 50 | Emma Brockes
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‘What we’re doing is real justice’: how one New York gym built a pipeline away from prison
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Hokum review – Adam Scott dour and grumpy in enjoyably eerie rural horror
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The Devil Wears Prada 2 review – a sequel? For spring? Groundbreaking
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Anne Hathaway says she didn’t get any size-zero models fired from The Devil Wears Prada 2
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Ada: My Mother the Architect review – illuminating profile of brilliant builder balances work and family
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Keira Knightley returns to West End in adaptation of Oscar winner The Lives of Others
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People aged 18-29: tell us about your cinema going habits
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Boom! A melodrama fit for Elizabeth Taylor and Richard Burton’s doomed love affair
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Touch Me review – tentacle sex abounds in psychosexual horror that’s like live-action hentai
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George Clooney condemns Washington shooting and calls on citizens to ‘truly make America great again’
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Wild Foxes review – animal-obsessed fighter at elite sports academy wonders if more to life than boxing
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I’ve Seen All I Need to See review – murky indie thriller follows woman home after her sister is murdered
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‘An uprising against loneliness’: why have football ultras become a cultural obsession?
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The Return of Arinzo review – families who hate each other clash in noirish Nollywood thriller
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‘Omar, what the hell are you doing in Chichester?’: when Doctor Zhivago star Sharif came to Sussex
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Brute 1976 review – throwback slasher summons up spirit of Texas Chain Saw Massacre
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The Eukrainian review – heroic portrait of the diplomat trying to haul Ukraine into Europe
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‘Bursts off the screen’: why Tombstone is my feelgood movie
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The Nights Still Smell of Gunpowder review – excavating the memories of civil war in Mozambique
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Phantoms of July review – interlocking tales hop across time in funny-quirky fable with a point
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Harvey Fierstein on Kinky Boots, addiction and survival: ‘When you get sober, it takes five years to get your marbles back’
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Cannes AI film festival raises eyebrows – and questions about future
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Ukrainian action thriller billed as Saving Private Ryan for the drone age
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‘What the hell do you say?’: elder son of Rob Reiner speaks out on parents’ murders
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Michael B Jordan to take on big-screen adaptation of hit video game Battlefield
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A star reborn: ‘America’s sweetheart’ Sandra Bullock returns to the spotlight
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Backlash against ‘blatant’ Asian stereotype in The Devil Wears Prada 2
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Gen Z to the rescue! Zoomers are ditching doomscrolling and saving cinema
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Cannes did camera: how the film festival loves to watch itself
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Severance star Adam Scott: ‘There’s nothing wrong with being told that you resemble Tom Cruise’
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Taraji P Henson: ‘It’s exhausting to have to fight for my worth’
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Double Indemnity review – leaden drama turns crime classic into a very cold case
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Isaac Julien review – Gwendoline Christie meets a cyborg starfish in a pleasure-seeker’s postmodern parlour
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People once cited romcoms to describe the love they hoped for. Now the doomscroll has replaced the meet-cute | Lisa Portolan
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‘In two years, nobody will care’ if actors are AI or not, predicts La Haine director
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Agon review – ice-cold, machine-tooled inspection of the dark side of athletic perfection
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Post your questions for Ian McKellen
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The Last Spy review – former CIA station chief tells it like it was from inside the tent
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Smackdowns and showtunes: wrestling biopic Fighting With My Family inspires stage musical
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Weinstein on trial again for 2013 rape charge after previous jury deadlocked
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David Bowie: You’re Not Alone review – Ziggy glam and Berlin grime in a bum-shaking yet sanitised immersion
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Ellen DeGeneres’ Oscars selfie: was this the moment pop culture shattered into a billion pieces?
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The Hours won awards for Nicole Kidman’s fake nose – and hearts as a queer classic
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Michael review – cliched Jackson biopic is bland, bowdlerised … and bad
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Ultras review – love letter to football’s most dedicated supporters
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Martin Scorsese’s film about Pope Francis to receive world premiere in Vatican City
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Ralph Lauren clothes and Annie Hall script among Diane Keaton items to be auctioned
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Women’s culture goes dark: why aren’t there more ‘femcel’ movies?
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Java script error: why The Devil Wears Prada 2’s Starbucks tie-in leaves a strange taste
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Why are respected film-makers suddenly embracing AI?
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‘Muslim kids are really underrepresented’: the animated movie where medieval maths meets eager young minds
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Wardriver review – bank scammer Dane DeHaan goes for the triple cross in venal neo-noir
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Scarborn (Kos) review – rumbustuous period epic stirs up trouble in 18th-century Poland
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The Trial review – searing record of Argentina’s courtroom reckoning with its brutal ‘dirty war’
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‘It’s about finding light in the dark’: why Harold and Maude is my feelgood movie
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Grimes joining LinkedIn is artwashing at its most brazen. I should know – I released my new film on there
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Olivia review – unhurried, painterly fable about loss aims to expose the meaning of grief
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Handcuffs, dog bites and avian warfare: how personal grudges sullied Alfred Hitchcock’s reputation
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French director of Nazi collaborator film rejects ‘historical gaslighting’ claims
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Civil lawsuit against Alec Baldwin over 2021 Rust film set shooting to go to trial
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Roommates review – Netflix broken friendship comedy is a sweet and salty treat
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Screenmaxxing: why Hollywood is supersizing the big screen experience
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The man who saw the future: the legacy of cultural theorist Mark Fisher
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