Jim Caviezel to play Jair Bolsonaro in ‘heroic’ biopic
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‘Performance is inherently vulnerable’: Kristen Stewart says acting is ‘unmasculine’
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Judi Dench says she ‘can’t remember what I’m doing tomorrow’ but can still recite Shakespeare
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Baby review – an astute portrait of queer Brazilian hustlers lost in the system
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‘I wanted to be one of them’: why Bring It On is my feelgood movie
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The Tale of Silyan review – farmer adopts stork in delightfully cockle-warming mud-caked folk tale
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The 50 best films of 2025 in the UK
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Who, If Not Us? The Fight for Democracy in Belarus review – activists display their defiance
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‘He’s a son of a bitch – but he’s usually right’: why did Seymour Hersh quit the film about his earth-shattering exposés?
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The New Yorker at 100: Netflix documentary dives inside a groundbreaking magazine
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Forget festive schmaltz, the best Christmas film this year is a gay biker dom-com | Kitty Grady
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Why is Timothée Chalamet suddenly everywhere? Seven things you need to know – from Oscars to puppies
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Fackham Hall review – Downton Abbey spoof is fast, funny and throwaway
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Scarlett Johansson joining the Batverse is good news for the franchise – but who will she play?
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The end of big-screen cinema? What Netflix hopes to achieve by buying Warner Bros | Andrew Pulver
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Kill Bill: The Whole Bloody Affair – what does the new Tarantino cut offer?
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‘I’ve had all the luck you can get’: Michael Caine retires for the fourth time
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‘My God, what a story it would make’: film-maker Kevin Brownlow on It Happened Here and Winstanley
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‘The goal was to scare a kid’: the wild world of films-within-films
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‘He played with language better than anybody’: Terry Gilliam and John Boorman on Tom Stoppard
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Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst
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Tom Felton: ‘I agree with Barbie – blonds have more fun’
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Joe Wright on Tom Stoppard: ‘He loved sweets, smoking, words and women – in the reverse order’
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‘It was legs out all the time!’ June Squibb on starring in Scarlett Johansson’s directing debut – and Broadway’s original Gypsy
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Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey
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Jamie Lee Curtis asked My Girl studio to put trigger warning on poster over Macaulay Culkin bee sting
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Sunset Boulevard review – Hollywood never looked more glorious or more tragic
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Quentin Tarantino has strong opinions about Paul Dano and none of them are right | Sian Cain
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‘BDSM on screen used to just mean a gimp in the basement’: the kink community’s verdict on Pillion
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Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight
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One Battle After Another gains Oscars traction after early awards season wins
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Missing the boat on The African Queen | Letters
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‘He asked me what I’d done sexually with a woman’: how Joy Gharoro-Akpojotor turned her asylum grilling into a film
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Anne Hathaway and Michaela Coel face off in first trailer for pop star epic Mother Mary
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The Outsiders: why Francis Ford Coppola’s coming-of-age drama is secretly gay
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Prime Minister review – portrait of Jacinda Ardern shows a fully human being in charge for once
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Magazine Dreams review – powerful bodybuilding drama dogged by star Jonathan Majors’ assault conviction
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Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers
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Iran sentences award-winning director Jafar Panahi to year in prison for ‘propaganda activities’
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Scarlett Johansson says she was pressed to remove Holocaust narrative from directing debut
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Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare
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James Cameron says AI actors are ‘horrifying to me’
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Pillion rides off with top prize at British independent film awards
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Son of the Soil review – bone-crunching Lagos revenge thriller with bruising swagger
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‘Ingrained in my psyche’: why Gremlins 2: The New Batch is my feelgood movie
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I Only Rest in the Storm review – beguiling postcolonial blues in Guinea-Bissau
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Why won’t Marvel let Hugh Jackman’s Wolverine retire in peace?
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Onlookers review – snapshots of a south-east Asian country shaped by tourism
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My cultural awakening: Thelma & Louise made me realise I was stuck in an unhappy marriage
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‘We have to be able to ask difficult questions’: who really took the iconic Napalm Girl photo?
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‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon
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You’re gonna need a bigger boat: the 20 best films set on water – ranked!
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Troll 2 review – mythical Scandi-kaiju runs amok in mayhem-filled mockbuster
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After bringing back Rush Hour, which franchise might Trump resurrect next?
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‘I can frustrate you, hypnotise you, bore you’: the Jarman prize winners making archives fly
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Christy review – Sydney Sweeney pummels a boxing pioneer’s story into lifeless cliche
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Jingle Bell Heist review – Netflix comedy is slight cut above standard festive filler
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Wake Up Dead Man: A Knives Out Mystery review – Josh O’Connor excels in another deadpan delight
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Rush Hour 4 in the works at Paramount after reports of Trump intervening
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Sex cardigans: can the Wicked sequel make bulky knits strangely alluring?
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Zootropolis 2 review – just-about-passable family comedy sequel might as well be AI generated
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‘A fire, a dog, and the starry sky’: the teens overcoming phone-addiction through Arctic pursuits
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Clive Owen and Saskia Reeves’s screen history makes their stage reunion all the more emotional | Chris Wiegand
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Post your questions for Tom Felton
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Rhino review – Tom Hardy channels David Attenborough in mission to save Kenya’s rhinos
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Dracula review – Luc Besson’s romantic reimagining of Gothic classic is ridiculous but watchable
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Trump wants to revive the Rush Hour franchise. Is he eyeing a return to Hollywood?
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Hollywood’s dark era: where did all the colour from movies go?
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‘We used a beachball as an alien!’ John Carpenter on his gloriously shonky sci-fi comedy Dark Star
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‘Extra challenging during a difficult time’: Robert Redford’s daughter criticises AI tributes to the late actor
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