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NewsEntertainmentMovies

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    Source

    Time

    Score

  • Lesley Walker obituary

    The Guardian

    19.2. 13:59

    ··

  • ‘Balding, rawhide-lean, just under six feet tall’: the real life soldier behind Robert Duvall’s Apocalypse Now role

    The Guardian

    19.2. 12:34

    ··

  • Sinners star Miles Caton: ‘I didn’t know how much I would be in the film … it might have scared me’

    The Guardian

    19.2. 09:00

    ··

  • Tom Noonan, actor known for Heat and Manhunter, dies aged 74

    The Guardian

    18.2. 17:42

    ··

  • ‘I don’t wish anyone to fall down a sewer. Except sometimes’: TikTok sensation and Oscar-nominated star of Weapons Amy Madigan

    The Guardian

    18.2. 16:59

    ··

  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy

    The Guardian

    18.2. 16:29

    ··

  • How to Make a Killing review – how to make a pointless remake

    The Guardian

    18.2. 16:03

    ··

  • ‘His friendship changed my life’: 25 years of camaraderie with Robert Duvall

    The Guardian

    18.2. 15:32

    ··

  • Wasteman review – Brit prison drama is as lethal and nasty as a sharpened toothbrush

    The Guardian

    18.2. 14:00

    ··

  • Dust review – timely fictionalisation of a tech-bro dotcom bust that blighted rural Belgium

    The Guardian

    18.2. 13:49

    ··

  • Oscar-nominated co-writer of It Was Just an Accident released from Iranian prison

    The Guardian

    17.2. 23:44

    ··

  • Brother of No Other Land co-director injured as Israeli settlers again attack family home

    The Guardian

    17.2. 20:10

    ··

  • Steve McQueen on working with Robert Duvall: ‘He was the rock. He brought gravity’

    The Guardian

    17.2. 17:37

    ··

  • ‘A realistic take on marriage’: readers on their favourite lesser-known movie romances

    The Guardian

    17.2. 16:23

    ··

  • ‘It’s a protest movement behind windows’: tribute to the Iranians risking their lives to film dissent

    The Guardian

    17.2. 15:52

    ··

  • Redux Redux review – multiverse hopping child-abduction thriller keeps things simple

    The Guardian

    17.2. 14:00

    ··

  • The gulf between critics and audience has never been wider – just look at Melania’s Rotten Tomatoes score

    The Guardian

    17.2. 13:37

    ··

  • Night King review – Hong Kong hostess bar comedy is love letter to old-style Kowloon nightlife

    The Guardian

    17.2. 12:59

    ··

  • Frederick Wiseman brought a uniquely empowering scale to his immersive documents of ordinary life

    The Guardian

    17.2. 12:48

    ··

  • Wuthering Heights is at its heart a story of class and race. Emerald Fennell has got it all wrong | Rhiannon Lucy Cosslett

    The Guardian

    17.2. 11:00

    ··

  • Share your tributes and memories of Robert Duvall

    The Guardian

    17.2. 10:47

    ··

  • Dear Beautiful Beloved review – a powerful message from the Ukrainian frontline

    The Guardian

    17.2. 10:00

    ··

  • My Sister’s Bones review – drab adaptation doesn’t deliver the dark punch of the bestselling novel

    The Guardian

    17.2. 08:00

    ··

  • The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

    The Guardian

    16.2. 21:45

    ··

  • Robert Duvall was a vigorous and subtle actor who always performed with passion and conviction

    The Guardian

    16.2. 19:25

    ··

  • At the Sea review – Amy Adams plays it overly straight in insufferable upper-middle-class drama

    The Guardian

    16.2. 19:15

    ··

  • UK audiences swoon over Wuthering Heights as film takes £7.7m over Valentine’s weekend

    The Guardian

    16.2. 17:43

    ··

  • ‘Heath Ledger knocked my tooth out jousting with a broom’: how we made A Knight’s Tale

    The Guardian

    16.2. 16:00

    ··

  • Bare Skin review – floridly wordy group therapy horror is propelled by trauma stories

    The Guardian

    16.2. 14:00

    ··

  • Rose review – Sandra Hüller is outstanding in grimy examination of gender stereotypes

    The Guardian

    16.2. 13:08

    ··

  • Do plans for a new Mummy film signal the end for the multiverse blockbuster franchise?

    The Guardian

    16.2. 13:05

    ··

  • Emerald Fennell’s Wuthering Heights is big movie with a very small mind | Adrian Horton

    The Guardian

    16.2. 12:11

    ··

  • ‘Unintentionally among the queerest releases of its time’: why Calamity Jane is my feelgood movie

    The Guardian

    16.2. 11:00

    ··

  • Collective Monologue review – sensuous zoo study foregrounds contacts between keepers and creatures

    The Guardian

    16.2. 10:00

    ··

  • ‘A permanent civil war in the body’: how fighting cancer helped an artist understand his Soviet youth

    The Guardian

    16.2. 08:00

    ··

  • Gangsterism review – dense, high-minded cine-manifesto on the notion of auteurism

    The Guardian

    16.2. 08:00

    ··

  • Grim reapers: what has fertilised the rich new wave of neo-rural cinema?

    The Guardian

    16.2. 07:00

    ··

  • ‘The goal has been to demystify’: how a colonial Nairobi library was restored and given back to the people

    The Guardian

    16.2. 06:00

    ··

  • Wuthering Heights rakes in $77m at global box office on opening weekend

    The Guardian

    16.2. 04:21

    ··

  • Rosebush Pruning review – dysfunctional rich family move in strange circles

    The Guardian

    15.2. 20:03

    ··

  • Nightborn review – Rupert Grint bringing up a monster baby

    The Guardian

    15.2. 19:33

    ··

  • The Education of Jane Cumming review – sexuality, race and a real school scandal

    The Guardian

    15.2. 18:45

    ··

  • Berlin film festival defends Wim Wenders after Arundhati Roy attacked ‘jaw-dropping’ comments

    The Guardian

    15.2. 15:24

    ··

  • ‘Every role I do, I’m going to be a Black man first’: David Jonsson on winning Baftas, rebooting Alien and leaving TV’s hottest show

    The Guardian

    15.2. 11:00

    ··

  • Animol review – gritty young offenders drama challenges conventional machismo

    The Guardian

    14.2. 19:45

    ··

  • Plantation weddings and pre-civil war fashion: the film that critiques the historical fantasy of Natchez

    The Guardian

    14.2. 13:00

    ··

  • ‘Full of emotional wisdom’: Guardian writers on the best movie romances you might not have seen

    The Guardian

    14.2. 10:07

    ··

  • My cultural awakening: ‘Thirteen influenced my hedonistic youth, until a psychotic episode ended it’

    The Guardian

    14.2. 08:00

    ··

  • No Good Men review – intelligent and urgent Afghan romance

    The Guardian

    13.2. 23:07

    ··

  • ‘It’s not a documentary’: costume designers on ditching accuracy for spectacle

    The Guardian

    13.2. 20:13

    ··

  • Guillermo del Toro’s ‘jazz hands’ at Oscar lunch a recreation of Shining photo, director says

    The Guardian

    13.2. 14:42

    ··

  • ‘It’s over for us’: release of new AI video generator Seedance 2.0 spooks Hollywood

    The Guardian

    13.2. 14:32

    ··

  • Sex, sleep and scrolling: real reasons men watch romantic movies, according to survey

    The Guardian

    13.2. 13:34

    ··

  • Is Jacob Elordi really what Heathcliff in Wuthering Heights should look like? | Dave Schilling

    The Guardian

    13.2. 13:00

    ··

  • Tell us: has the new Wuthering Heights film adaptation inspired you to read Emily Brontë’s novel?

    The Guardian

    13.2. 11:27

    ··

  • Down with the neo-puritans: I say a true Christian can watch horror films – and Emmerdale | Ravi Holy

    The Guardian

    13.2. 11:00

    ··

  • ‘We thought Midnight Cowboy might end everybody’s career’: the diverse, disruptive, Oscar-winning cinema of John Schlesinger

    The Guardian

    13.2. 09:00

    ··

  • Sunny Dancer review – ‘chemo camp’ gives teen drama a fresh spin

    The Guardian

    13.2. 08:20

    ··

  • Feathers, lace and Jacob Elordi’s gold tooth: Wuthering Heights premieres in Australia – in pictures

    The Guardian

    13.2. 03:00

    ··

  • Good Luck, Have Fun, Don’t Die review – AI is the bad guy in lively yet overstuffed caper

    The Guardian

    12.2. 20:44

    ··

  • The Uncool by Cameron Crowe audiobook review – memoir of an awestruck insider

    The Guardian

    12.2. 16:00

    ··

  • Wuthering Heights set to ravish Valentine’s weekend box office

    The Guardian

    12.2. 14:34

    ··

  • ‘I wasn’t acting: that was me’: how non-actors took over Oscar season

    The Guardian

    12.2. 11:03

    ··

  • Looney Tunes: The Day the Earth Blew Up review – still capers after all these years

    The Guardian

    12.2. 08:00

    ··

  • ‘A love letter to all the good men I know’: Shahrbanoo Sadat on making Afghanistan’s first romcom

    The Guardian

    12.2. 07:00

    ··

  • Bud Cort, star of Harold and Maude, dies aged 77

    The Guardian

    11.2. 21:09

    ··

  • Crime 101 review – bracing tale of master thief lifts a trick or two from Michael Mann

    The Guardian

    11.2. 17:00

    ··

  • Is Jacob Elordi really the hottest man on the planet? Six things you need to know

    The Guardian

    11.2. 16:44

    ··

  • Oscars 2026 class photo: can you spot the tallest nominee – and a camouflaged Diane Warren?

    The Guardian

    11.2. 15:59

    ··

  • Is surprise box-office hit Iron Lung the future of ‘video game films’?

    The Guardian

    11.2. 13:30

    ··

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