Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
The Guardian
··
-
Older >
Source
Time
Score
-
-
Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
The Guardian
··
-
The End of Tom Six review – Human Centipede director delivers one last freaky flick
The Guardian
··
-
Hellcat review – woman imprisoned in camper van in nasty survival horror
The Guardian
··
-
‘I ran away to Paris to be a writer and ended up begging’: Bill Nighy on dashed dreams, golf emojis and playing a cranky novelist
The Guardian
··
-
The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
The Guardian
··
-
Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
The Guardian
··
-
The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
The Guardian
··
-
In Venice, it’s not politics as usual as film-makers aim to recapture our attention
The Guardian
··
-
Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
The Guardian
··
-
Mutants assemble: what does the future hold for the X-Men?
The Guardian
··
-
Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
The Guardian
··
-
‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern
The Guardian
··
-
Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
The Guardian
··
-
Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
The Guardian
··
-
‘A horrible nightmare’: the shocking story of the eBay harassment scandal
The Guardian
··
-
Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
The Guardian
··
-
This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
The Guardian
··
-
Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
The Guardian
··
-
‘I am left grinning’: why The Dish is my feelgood movie
The Guardian
··
-
Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho
The Guardian
··
-
Movie paradise? How Malta became a magnet for big film shoots
The Guardian
··
-
The Odyssey becomes Christopher Nolan’s highest grossing film as it passes $1.1bn at box office
The Guardian
··
-
I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war
The Guardian
··
-
Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
The Guardian
··
-
Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
The Guardian
··
-
The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
The Guardian
··
-
Sam Neill filmed role in Legend of Zelda film adaptation before his death
The Guardian
··
-
Out of the blue: James Cameron’s surprise departure would be good for Avatar
The Guardian
··
-
The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
The Guardian
··
-
‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
The Guardian
··
-
‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
The Guardian
··
-
Super Troopers 3 review – misfiring cop comedy threequel
The Guardian
··
-
Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
The Guardian
··
-
Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
The Guardian
··
-
How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
The Guardian
··
-
American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
The Guardian
··
-
‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
The Guardian
··
-
The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past | Editorial
The Guardian
··
-
One Night Only review – sex is legal for 12 hours a year in bizarre romcom
The Guardian
··
-
Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
The Guardian
··
-
Darth Vader to become a TikTok star as Disney strikes deal on short video
The Guardian
··
-
Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
The Guardian
··
-
A Child of My Own review – barely believable true crime tale of desperation and delusion
The Guardian
··
-
Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
The Guardian
··
-
Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
The Guardian
··
-
Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy
The Guardian
··
-
Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
The Guardian
··
-
Big Chicken: A Fast Food Conspiracy review – Mo Gilligan ruffles feathers in battle against ultra-processed foods
The Guardian
··
-
Lucky Strike review – likably manly Scott Eastwood fights his way home in second world war yarn
The Guardian
··
-
Web of billions: how Spider-Man became the most heroic franchise in Hollywood
The Guardian
··
-
Love Me Tender review – Vicky Krieps custody-battle drama is intelligent, sensual and bitter slice of life
The Guardian
··
-
Justin Hardy, director of Wicker Man sequel, dies three weeks before its premiere
The Guardian
··
-
Spider-Man: Brand New Day: new characters, new flaws, new tech and brain-exploding future consequences – discuss with spoilers
The Guardian
··
-
This Tempting Madness review – watchable psychological suspense offers Mexican standoff of gaslighting
The Guardian
··
-
Barbie sequel at risk as salary talks with Robbie, Gosling and Gerwig hit impasse
The Guardian
··
-
‘A gentle poetry in the everyday’: why The Straight Story is my feelgood movie
The Guardian
··
-
Memory review – a cinematic exorcism through a child’s eye view of terror in the Chechen wars
The Guardian
··
-
Atlas of Disappearance review – forensic quest for thousands of forgotten victims of the Spanish civil war
The Guardian
··
-
Spider-Man: Brand New Day makes $932m at box office in second biggest opening weekend in history
The Guardian
··
-
‘The greatest arms I’ve ever seen’: Matt Damon’s muscular female stunt double Devyn Dalton
The Guardian
··
-
From The Wizard of Oz to Trainspotting: 25 films to watch before you turn 25
The Guardian
··
-
The brief life and sudden death of Zyzz: why did the bodybuilding influencer die at just 22?
The Guardian
··
-
Gregg Araki on sex, film and queer resistance: ‘All the terrible shit in the world is because of sexual repression’
The Guardian
··
-
Hold the front page! Marilyn Monroe is Dakota Johnson’s ninth cousin three times removed
The Guardian
··
-
‘Change is happening! I can cut off my hair and misbehave’: Vicky Krieps on rage, rebellion, and rejecting Hollywood
The Guardian
··
-
‘An intermission is a must’: why Greek cinemas are adding a loo break to The Odyssey
The Guardian
··
-
Release schedule: when to wee and when to wait during this summer’s biggest movies
The Guardian
··
-
Ryan Gosling is entering the Marvel Cinematic Universe – on a motorbike, in flames, wearing a leather jacket. What could go wrong?
The Guardian
··
-
‘I was born without self-esteem’: Hannah Einbinder on Hacks, her buzzy queer horror – and being Hollywood’s most outspoken star
The Guardian
··
