John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
The Guardian
··
Previous
Next
-
< 45 minutes
Source
Time
Score
-
-
< 4 hours
Source
Time
Score
-
‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
The Guardian
··
-
< 8 hours
Source
Time
Score
-
From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
The Guardian
··
-
< 24 hours
Source
Time
Score
-
Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
The Guardian
··
-
The Guardian view on NAZA’s persecuted directors: journalism is not treason | Editorial
The Guardian
··
-
‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
The Guardian
··
-
Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
The Guardian
··
-
< 2 days ago
Source
Time
Score
-
Best of the Best review – college comedy formula gets a Bollywood makeover
The Guardian
··
-
Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza | Mahmoud Mushtaha
The Guardian
··
-
Human harps, massive bananas and dogging: the 20 best Busby Berkeley dance routines – ranked!
The Guardian
··
-
Thelma & Louise review – musical hoedown is a bland and baffling wrong turn
The Guardian
··
-
De Gaulle: Liberté review – biopic of conquering French war hero reaches his imperial era
The Guardian
··
-
Older >
Source
Time
Score
-
Jonathan Majors’s anti-Islam action thriller is laughably terrible far-right propaganda
The Guardian
··
-
The Watergate Caper: Richard Nixon and the Death of the American Dream review – political scandal, 70s style
The Guardian
··
-
‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the heart surgery that inspired his new sci-fi horror
The Guardian
··
-
The Liberation review – Carrie Coon joins all-female cult in unsettling drama
The Guardian
··
-
Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
The Guardian
··
-
Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
The Guardian
··
-
Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
The Guardian
··
-
Battle of Chile director Patricio Guzmán dies aged 85
The Guardian
··
-
In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
The Guardian
··
-
Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
The Guardian
··
-
A Talent for Murder review – Helen Mirren is a viperous Patricia Highsmith in hit-and-miss thriller
The Guardian
··
-
Bad Lieutenant: Tokyo review – Takashi Miike follows Ferrara and Herzog with a disappointment
The Guardian
··
-
‘This should be condemned by any thinking human’: film industry rallies behind NAZA directors
The Guardian
··
-
James McNeill Whistler review – painter’s work shines through attention-grabbing life story
The Guardian
··
-
The Debut review – Julianne Moore is a thrill in Jesse Eisenberg’s oddball comedy
The Guardian
··
-
Venice best actress winner says she signed on at Danish job centre days before her victory
The Guardian
··
-
Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
The Guardian
··
-
Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
The Guardian
··
-
Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
The Guardian
··
-
Sydney Sweeney naked ad controversy: what’s she playing at? - The Latest
The Guardian
··
-
Ancestors review – messy but moving ghostly drama about the Aids crisis
The Guardian
··
-
Sydney Sweeney’s prediction ad is cynical, unhealthy and reveals plenty about modern sports | Jane McManus
The Guardian
··
-
‘The eye-gouging was very, very satisfying’: how we made cave horror classic The Descent
The Guardian
··
-
In an age of superhero fatigue, Marvel’s best shot is to think small – and outside the box
The Guardian
··
-
Barrio Triste review – raw and dynamic portrait of anarchic slum life in 1980s Medellín
The Guardian
··
-
The Route to Cappyness review – capybara boosterism is an ode to the internet’s favourite rodent
The Guardian
··
-
‘I never pass up a rewatch’: why Valley Girl is my feelgood movie
The Guardian
··
-
Goody Goody review – intriguing natural childbirth horror lurches into demonic occult blowout
The Guardian
··
-
Lenore review – incel’s obsession with online influencer turns into anatomy of dislocated digital-age mindset
The Guardian
··
-
Prima Facie review – fiery one-woman play is flattened into a bland movie
The Guardian
··
-
The Life and Deaths of Wilson Shedd review – Amanda Seyfried compels in wrenching prison drama
The Guardian
··
-
Love of Your Life review – Margaret Qualley eats, grieves and loves in Amazon’s transporting saga
The Guardian
··
-
Onwards and Sideways review – Rhys Ifans and Laura Linney lift solid Parkinson’s drama
The Guardian
··
-
Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
The Guardian
··
-
Babies review – Anna Kendrick and Seth Rogen embrace childlessness in breezy comedy
The Guardian
··
-
I Play Rocky review – crowd-pleasing Stallone biopic is heavy on fan service, light on real emotion
The Guardian
··
-
Closing Night review – fiery women face off in Almodóvar-lite melodrama
The Guardian
··
-
Trash Mountain review – Caleb Hearon’s coming home indie is a funny if familiar journey
The Guardian
··
-
Shaun the Sheep: The Beast of Mossy Bottom review – Aardman’s spooky-season caper sparkles with fun
The Guardian
··
-
Your Mother Your Mother Your Mother review – Mahershala Ali is a grieving hitman in soulful thriller
The Guardian
··
-
Bold and bravura choices as Venice celebrates A Woman Unknown, Possible Love and NAZA
The Guardian
··
-
Woman Unknown wins Venice film festival as NAZA takes special jury prize
The Guardian
··
-
Everybody Wants to F*ck Me review – Taron Egerton is hounded in sharp-toothed dating nightmare
The Guardian
··
-
Luke Evans: ‘As a child I was in love with Harrison Ford as Indiana Jones’
The Guardian
··
-
Extended reality takes visitors from the ruins of West Bank to 17th-century Amsterdam at Venice Immersive
The Guardian
··
-
Faith review – intense performances power startling and unsettling tale of mysterious suitor
The Guardian
··
-
River review – so-so survival slasher offers more of the same and little else
The Guardian
··
-
The Guardian view on controlling AI: humanity cannot outsource its survival | Editorial
The Guardian
··
-
The Housewife review – Naomi Watts is a secret suburban Nazi in an overcooked melodrama
The Guardian
··
-
Gore, gimps and a potty-mouthed magpie: welcome to the Lisbon horror festival where nightmares are a dream
The Guardian
··
-
‘They know the house they are bombing is full of children’: NAZA’s directors on their devastating film about Israeli intelligence
The Guardian
··
-
‘Danny Boyle, please make another film about drugs’: Venice film festival’s feedback wall takes no prisoners
The Guardian
··
-
‘A fierce need to be independent’: Gerda Taro biopic pulls photographer out of lover Robert Capa’s shadow
The Guardian
··
-
Being Heumann review – Coda director’s disability rights drama is well-intentioned but clunky
The Guardian
··
-
NAZA review – Israeli intelligence officers cast chilling light on civilian deaths
The Guardian
··
-
Alex Winter: ‘Michael Winner was the most erudite sociopath I’ve ever met’
The Guardian
··
-
Secret systems used by Israel in mass killings of Gaza civilians revealed in new film
The Guardian
··
-
‘An embodiment of white fears’: how zombies went from Haitian spiritual tradition to Hollywood monsters
The Guardian
··
Previous
Next
