‘We didn’t want him to be punchable!’: Matthew Broderick and Alan Ruck on Ferris Bueller’s Day Off
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Acting the fool: why have Hollywood press tours become so gimmicky?
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Out of Sight review – mountain idyll in the Austrian uplands is a gilded cage for distressed asylum seekers
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‘Justice, morality and triumph’: why Matilda is my feelgood movie
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A Useful Ghost review – exhilarating black comedy summons ghosts of Thai past via a haunted hoover
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‘Being American feels helpless and scary’: actor Ben Platt on nerves, queer songs and why he couldn’t do it without his husband
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Flavours of Iraq review – vivid childhood memories of 80s Baghdad from writer in Paris exile
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The Odyssey storms global box office with $264m opening
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Aperol, late-night laughs – and some gritty life truths: why girls’ trips aren’t just fluffy fun | Rhiannon Lucy Cosslett
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The Paramount-WBD merger: bad news for Hollywood, great news for Tennessee? | Dave Schilling
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‘Maybe the best pumped-up sequel ever made’: James Cameron’s Aliens hits 40
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The Guide #252: Christopher Nolan forces all rivals to flee as he dominates the battle of the blockbusters
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‘We are preserving a tradition’: how Ghana’s sensationalist film posters became collectible art
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The Odyssey: is Nolan adaptation worth the hype? - The Latest
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Homer’s Odyssey transformed in film and in translation | Letters
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Chastity, nodding and enormous pores: will women also love Nolan’s Odyssey?
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‘Some fantastic mischief lurking just around the grin’: Sam Neill by Tara Fitzgerald – a poem
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‘A masterpiece in every way’: The Odyssey earns near universal acclaim as full reviews published
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Ava DuVernay to make Netflix documentary 14th on birthright citizenship
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‘From the father of the guy who made Obsession’: is the nepo dad the new nepo baby?
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Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal | Mohamed Sleiman Labat
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‘The minute I had success, I stopped taking drugs’: John Waters on 60 years of screen carnage
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George Lucas likens AI sceptics to luddites clinging to horses and carts
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Ali G is back. I really wish he wasn’t | Arwa Mahdawi
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Confessions of a Shopaholic: a charming Isla Fisher romcom worth taking to the checkout
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‘It wasn’t a dream, it was a threat’: the film festival celebrating pan-Africanism’s rich and complex history
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Jane Campion remembers Sam Neill: ‘He was radiating peace, beaming love’
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Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
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They Fight review – boxing drama is an emotional gutpunch
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Deep Water review – plane-crash survivors play existential roulette with bitey fish
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The Last First Time review – queer coming-of-age drama gives itself up to pleasure
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‘Just a local’: rural New Zealand fondly remembers Sam Neill, its everyday star
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Sam Neill’s final films tell us a lot about who he was as an actor – and why we’ll miss him | Luke Buckmaster
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I interviewed Sam Neill in 2024. He was even more charming than I’d expected | Zoe Williams
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Ladies First has been panned. It’s still an essential watch | Anna Smith
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Bad Reputation review – powerful look at sex workers’ fight for dignity on the Uruguayan streets
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‘You want to reach out and touch everything’: why Labyrinth is my feelgood movie
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Share your tributes and memories of Sam Neill
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Our Hero, Balthazar review – a darkly comic satire of incel culture and gun violence
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A Year in London review – fashion student hits it off with her professor in frothy lesbian romcom
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Christopher Nolan says people ‘disdain’ AI and the idea it will replace humans is ‘nonsense’
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Disney’s live-action Moana fails to make a splash at box office with underwhelming opening
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‘We were kids dressed as gangsters, running riot’ – Alan Parker’s Bugsy Malone at 50, by its cast and crew
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AI ‘actor’ Tilly Norwood has a movie coming out. Spare us this future | Dave Schilling
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‘He stole the show’: do Oscars beckon for Robert Pattinson, star of four of the year’s biggest films – and Batman?
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The Batman Part II rumours hint he’s flying into even darker and weirder territory
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The most fearsome monster in Christopher Nolan’s Odyssey? Elon Musk: the Stephen Collins cartoon
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‘I was like, “Oh my god, I can be taken seriously”’: the women inspired to become lawyers by Legally Blonde
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‘Injustice and pain’: Justin Baldoni makes first public statement on Blake Lively lawsuit
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‘I saw it seven times in the cinema’: readers’ favourite films of 2026 so far
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From Greek epics to biblical blockbusters: the 20 best mythological movies – ranked!
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Evil Dead Burn review – wildly gory horror tears a grieving family to pieces
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Saccharine review – eating disorder body horror offers plenty to chew over
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Moana review – Dwayne Johnson’s demigod on autopilot in dull live-action remake
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New barnet: why is everyone wigging out over Dwayne Johnson’s Moana hairpiece?
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Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
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The Invite welcomes heterosexual polyamory into cinemas. It’s about time
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‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
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The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
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Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
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Life Support review – quietly devastating medics’ eye view of the war in Gaza
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Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
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‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
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The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
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Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
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‘Cosy competency porn’: why The Post is my feelgood movie
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Shoot the People review – a powerful portrait of a talented yet controversial photographer
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A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
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The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more
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Farewell to Jackass, the finest catalogue of male idiocy – it could only go on for so long | Tom Usher
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