Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers
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Iran sentences award-winning director Jafar Panahi to year in prison for ‘propaganda activities’
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Scarlett Johansson says she was pressed to remove Holocaust narrative from directing debut
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Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare
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James Cameron says AI actors are ‘horrifying to me’
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Pillion rides off with top prize at British independent film awards
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Son of the Soil review – bone-crunching Lagos revenge thriller with bruising swagger
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‘Ingrained in my psyche’: why Gremlins 2: The New Batch is my feelgood movie
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I Only Rest in the Storm review – beguiling postcolonial blues in Guinea-Bissau
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Why won’t Marvel let Hugh Jackman’s Wolverine retire in peace?
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Onlookers review – snapshots of a south-east Asian country shaped by tourism
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My cultural awakening: Thelma & Louise made me realise I was stuck in an unhappy marriage
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‘We have to be able to ask difficult questions’: who really took the iconic Napalm Girl photo?
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‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon
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You’re gonna need a bigger boat: the 20 best films set on water – ranked!
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Troll 2 review – mythical Scandi-kaiju runs amok in mayhem-filled mockbuster
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After bringing back Rush Hour, which franchise might Trump resurrect next?
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‘I can frustrate you, hypnotise you, bore you’: the Jarman prize winners making archives fly
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Christy review – Sydney Sweeney pummels a boxing pioneer’s story into lifeless cliche
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Jingle Bell Heist review – Netflix comedy is slight cut above standard festive filler
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Wake Up Dead Man: A Knives Out Mystery review – Josh O’Connor excels in another deadpan delight
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Rush Hour 4 in the works at Paramount after reports of Trump intervening
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Sex cardigans: can the Wicked sequel make bulky knits strangely alluring?
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Zootropolis 2 review – just-about-passable family comedy sequel might as well be AI generated
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‘A fire, a dog, and the starry sky’: the teens overcoming phone-addiction through Arctic pursuits
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Clive Owen and Saskia Reeves’s screen history makes their stage reunion all the more emotional | Chris Wiegand
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Post your questions for Tom Felton
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Rhino review – Tom Hardy channels David Attenborough in mission to save Kenya’s rhinos
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Dracula review – Luc Besson’s romantic reimagining of Gothic classic is ridiculous but watchable
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Trump wants to revive the Rush Hour franchise. Is he eyeing a return to Hollywood?
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Hollywood’s dark era: where did all the colour from movies go?
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‘We used a beachball as an alien!’ John Carpenter on his gloriously shonky sci-fi comedy Dark Star
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‘Extra challenging during a difficult time’: Robert Redford’s daughter criticises AI tributes to the late actor
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Bila Burba review – how recreating brutal battles helps pass history down the generations
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‘A Thanksgiving classic’: why Stuck in Love is my feelgood movie
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Desperate Journey review – Nazi-fleeing Jewish boy heads for the glamour of wartime Paris
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The Creeps review – reference-heavy mashup of Gremlins and American Pie is stupid-funny
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Monkey soulmates and extraordinary talent: the man Charlie Chaplin called ‘the greatest actor in the world’
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Udo Kier: a life in pictures
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Udo Kier, German actor who starred in 200 films spanning Lars von Trier to Ace Ventura, dies aged 81
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My cultural awakening: Chicken Run turned me vegetarian
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Rocky Horror creator Richard O’Brien: ‘The Spice Girls couldn’t sing. But lovely girls’
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‘I prepared for the role by playing in my room’: the making of Toy Story as it turns 30
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‘The public has been lied to’: secretly made documentary insists that aliens exist
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Who knew it would take an American pope to remind us of the value of art and good taste? | Jason Okundaye
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Celebrity crib sheet: Cynthia Erivo and Ariana Grande are back on the red carpet – here are seven things you need to know
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The Guardian view on authentic casting in Wicked: finally a true celebration of difference | Editorial
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Back to the Future celebrates 40th with three Marty McFlys performing the musical
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Is Avatar’s main villain about to become a good guy? All the signs are pointing that way
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On the way to Wicked: Cynthia Erivo’s stage musicals – in pictures
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‘I think my mum’s going to like it’: Alexander Skarsgård on his gay biker ‘dom-com’ Pillion
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‘My husband collects pictures of old men’s faces to give me’: Keira Knightley on art, ghosts and West Ham’s midfield
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‘A different vibe’: New York welcomes the luxury private cinema experience
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One Flew Over the Cuckoo’s Nest at 50: the spirit of rebellion lives on
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The Saragossa Manuscript review – cult Polish period-costume comedy is outrageous head-spinner
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Wes Anderson: The Archives review – Wesophiles will relish this deep dive into the detail-obsessed director
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Testimony review – a devastating exposé of the Irish church’s brutal Magdalene laundries
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Champagne Problems review – Netflix’s latest Christmas romcom lacks fizz
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Sisu: Road to Revenge review – Finnish hero takes on a Red Army butcher in terrific sequel
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Champagne Problems review – Netflix’s latest Christmas romcom lacks fizz
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North by Northwest: Hitchcock’s funniest, most ambitious film
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Bone Lake review – holiday rental house of horror is fun for everyone
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Mind the glitch: is Hollywood finally getting to grips with movies about artificial intelligence?
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3 Wishes for Christmas review – seasonal romcom has all the personality of a supermarket voucher
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A Desert review – high art meets trailer trash in Americana-aesthetics horror
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Untie me! Why big bows are everywhere – feminine, ironic and strangely subversive
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‘Fights for our material survival’: documentary goes inside the battle for trans rights
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‘I was born in a melting pot. Melting isn’t fun’: Jon M Chu on Wicked: For Good, Ariana Grande – and living the American dream
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The flop that finally flew: why did it take 40 years for Sondheim’s Merrily We Roll Along to soar?
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David Zucker renews attack on new Naked Gun reboot starring Liam Neeson
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