Apple Cider Vinegar review – a kidney stone leads into whimsical geology doc
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Fiume o Morte! review – darkly comic reconstruction of D’Annunzio’s Yugoslavian coup
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‘It’s important that we tell our own stories’: how the Wicked movies are helping disability representation on screen
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Marianne Jean-Baptiste: ‘I’d work for Mike Leigh again in a heartbeat – in fact, I’ll pay him!’
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Celebrity crib sheet: Sydney Sweeney is everywhere – here are nine things you need to know about her
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‘He was quite a private person’: expansive auction shows Gene Hackman as actor and artist
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Welcome to the great unwokening of Hollywood! Shame no one can be bothered to turn up | Jason Okundaye
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‘I’m not as fierce as I seem’: Glenn Close on growing up in a cult, marching against Trump – and being unlucky in love
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From Hollywood to holy water: Pope Leo invites stars to the Vatican
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John Cleese Packs It In review – former Python goes on the road in sickness and in health
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Nuremberg review – Russell Crowe is top notch as an on-trial Göring but Rami Malek lets side down
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The Carpenter’s Son review – Nicolas Cage is predictably miscast in dull biblical horror
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The Wild Geese review – Richard Burton and Roger Moore lead cast of amigos in preposterous African caper
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‘Studio bosses were like: it sounds lovely. We’ll pass!’: Joel Edgerton and Clint Bentley on their Oscar-tipped lumberjack tragedy
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Come See Me in the Good Light review – frank, funny and inspiring documentary tackles cancer
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Keeper review – romance goes to hell in effectively eerie horror
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Whoopi Goldberg at 70: her 10 best films – ranked!
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Park Avenue review – Fiona Shaw is fearless in upmarket New York mother-daughter relationship drama
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Left-Handed Girl review – striking Taiwanese family drama is a real marvel
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City on Fire review – Tarantino-inspiring Hong Kong thriller burns with grit and moral tension
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Adulthood review – Alex Winter’s nastily comic crime noir as family intrigue over division of assets
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Swear, self-promote and pretend you’re on a first date: a celebrities’ guide to Letterboxd’s Four Favourites
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Night of the Juggler review – full-throttle 1980s pulp shocker crammed with nonstop gonzo mayhem
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Grub actually: Keira Knightley’s Christmas Waitrose ad is sweet and funny. The first time, anyway
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Being Eddie review – reverential Netflix doc paints limited portrait of Eddie Murphy
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Trapped review – rough and ready abuse story that piles bleakness upon bleakness
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A Merry Little Ex-Mas review – Netflix’s season of cheapo festive fare begins with a shrug
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Holy see: three of Pope Leo’s favourite films are divine. The fourth is hard to forgive
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‘A Ukrainian witch kicks the crap out of Russian soldiers’: the new wave of horror films taking on Putin’s army
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Now You See Me: Now You Don’t review – light-as-a-feather magic threequel
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Old is M Night Shyamalan at his best: ambitious, abrasive and surprisingly poignant
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Caravaggio review – articulate and intelligent portrait of the art titan’s life and work
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‘It’s changed me’: Jeff Goldblum says he has stopped eating meat after working on Wicked
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Under the Stars review – picturesque Italian setting is backdrop for AI prompt of a romcom
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Love Immortal: the man devoted to defying death through cryonics – documentary
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‘Hermann Göring loved his kids. That’s what’s terrifying’: James Vanderbilt, Rami Malek and Michael Shannon on Nuremberg
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Oscar Isaac says he would only do Star Wars again if Disney doesn’t ‘succumb to fascism’
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Sydney Sweeney addresses US box office bomb for boxing movie: ‘We don’t always just make art for numbers’
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Predator: Badlands – exiled hunters, rogue androids and unkillable monsters – discuss with spoilers
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Valley of the Shadow of Death review – priest’s faith is pushed to limit in self-flagellating Hong Kong fable
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‘Mommy’s got her phone’: A House of Dynamite is good on nuclear threat – and great on smartphone reliance
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Tony Foster: Painting at the Edge review – going deep in the quest for extreme landscape painting
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‘Such a tonic’: why Burn After Reading is my feelgood movie
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Brunaupark review – housing estate dwellers vs property developers in rousing but unequal battle
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‘I can’t control how others perceive me’: Sydney Sweeney on boxing, weight gain and her flair for controversy
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‘I enter a room and people say: “God just walked in”’: Morgan Freeman on voicing the divine, meeting Mandela – and his six decades on screen
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My cultural awakening: The Big Lebowski inspired me to embrace unemployment
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As his debut film Once Were Warriors showed, Lee Tamahori was a director of guts and flair
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Campaign director: Zohran Mamdani’s ideas are indebted to the films of his mother, Mira Nair
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In Your Dreams review – Netflix dreams up solid sub-Pixar adventure
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‘If you’re unhappy with Reform, this is a soothing balm’: Gurinder Chadha on her reboot of A Christmas Carol
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‘Why don’t you believe Palestinians?’: the Israeli comedian putting the conflict on stage
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Alex Winter on fame, AI and reuniting with Keanu Reeves: ‘Sometimes we’re on a groove and go, ‘God damn, that was good!’
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Shirley Valentine gave Pauline Collins a role to match her talent. She seized it with style and glee
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Giving a review zero stars sets a dreadful precedent. But here are the one-star shockers I’d downgrade | Peter Bradshaw
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Jennifer Lawrence says she didn’t need an intimacy coordinator on new film as co-star Robert Pattinson is ‘not pervy’
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Anemone review – Daniel Day-Lewis is endlessly watchable as ex-soldier living with guilt
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‘I’m so not scary. But my features can be’: Fiona Shaw on Austen, Andor and Harry Potter
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Going to the Dogs review – lovable canines at the heart of a sport in decline
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Helen Mirren to receive Golden Globe lifetime achievement award
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The Marbles review – thoughtful outline of case for giving the Parthenon marbles back to Greece
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‘I could eat this podium with a fork and knife I’m so angry’: Kristen Stewart blasts neglect of female film-makers
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Brendan Fraser and Rachel Weisz to reunite for new Mummy movie – reports
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Colossal Wreck review – sharp-eyed dispatch from the Kubrickian weirdness of Dubai during Cop28
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Belén review – gripping true story of woman unjustly accused of illegal abortion
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De Niro to JLaw: should celebrities be expected to speak out against Trump?
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Predator: Badlands review – a pointless but unkillable franchise that has started to eat itself
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‘The left hand is the devil’s hand’: how Shih-Ching Tsou turned childhood trauma into extraordinary drama
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Three decades later, The Truman Show feels freshly disturbing – and astoundingly prescient
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‘Handbags at dawn’: Daniel Day-Lewis discusses his method acting conflict with Brian Cox
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