‘Not just Hollywood crap’: Mike Leigh on the East End communist who brought world cinema to the UK
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‘Led us down such a dark path’: documentary explores how 9/11 changed America
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Super Nature review – crowd-sourced Super 8 film is a triumphant collage of hope for the natural world
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Summer box office 2026: what can we learn from the hits and misses?
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The Extractor review – Indonesian hostage-rescue thriller has surprising thread of gentleness at its core
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Pin de Fartie review – spoonerist remix of Samuel Beckett’s Endgame finds fresh absurdity in Argentina
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Onslaught review – super soldier slasher doesn’t go hard enough
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‘The whistling on the theme tune? That’s Dickie Attenborough!’ Hayley Mills on Whistle Down the Wind
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Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmare
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‘Sometimes you just need a good cry’: why Little Women is my feelgood movie
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The Black Garden review – haunting study of growing up in war-torn Nagorno-Karabakh
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Tom Cruise, Olivia Colman and the return of Rocky: the best films of autumn 2026
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Big tech goes to Hollywood: is Silicon Valley ready for a silver-screen reckoning?
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Rob Reiner’s son Jake gives first interview after parents’ deaths: ‘I will never understand why this happened’
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‘I don’t care if I look good’: French heartthrob Louis Garrel on fashion, fatherhood and his radically dorky new role
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The Whisper Man review – Robert De Niro sleepwalks through silly Netflix potboiler
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Tim Curry obituary
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Marketing meltdown: why has Andrew Garfield’s new film suddenly added Robin Hood?
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Idiots review – throwback bro comedy is an entertaining summer seat-filler
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The Wreck review – scuba drama about siblings under pressure
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Rupert Grint to reprise role of Ron Weasley in Harry Potter stage show
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De Gaulle: Résistance review – a galloping bromance for Churchill and France’s wartime hero
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The Last Sunrise review – Amazon’s soapy YA romance is thankless and bland
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Hanging By a Wire review – cable car rescue documentary dangles viewers on the edge of disaster
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The Dog Stars review – Ridley Scott’s lethargic postapocalyptic drama is a misfire
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Ali G: Who Iz I? trailer reveals return of Sacha Baron Cohen’s prank-playing rudeboy
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Penny Lane Is Dead review – Aussie slasher comedy zips from Neighbours to nasty
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Zip Wire review – cancer-curing scientist is on the hook for cable-dangle thriller
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Guardian-produced Gaza documentary from Oscar-winning Israeli directors of No Other Land to screen at Venice film festival
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The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo
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‘A bit like meditation’: why Saw is my feelgood movie
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On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together
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Mark Ruffalo fires back at Paramount Skydance after it accuses him of using ‘antisemitic tropes’
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The film Apollo 13 taught me how to survive heartbreak
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Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite
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‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs
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David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
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Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
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The Odyssey becomes highest grossing R-rated film of all time
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‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie
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Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil
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It Ends review – gripping micro-budget horror ranks among the year’s best
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‘I love provocative stories’: producer Christine Vachon on fighting for her ‘offensive’ movies
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Mutiny review – Jason Statham’s fight-by-numbers action thriller just about stays above water
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Insidious: Out of the Further review – evil returns but so does boredom
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Tom Holland set to earn $100m from Spider-Man: Brand New Day
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Over/Under review – beautiful coming of age story of female best friends set across five summers
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David review – biblical Goliath-slayer animation offers upbeat boybandish worship musical
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Match review – gory and slyly satirical catfishing horror for the age of Hinge
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‘There was a certain hostility’: how Wet Hot American Summer went from miss to hit
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Waves Turn review – the exhausting, joyful, boring, wondrous realities of new motherhood
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‘I’ve always been fond of hairy creatures!’ Visual effects maestro Rick Baker on a monstrously good career
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Johnny Depp in talks to return to Pirates of the Caribbean franchise
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Douglas Gordon by Douglas Gordon review – a brave glimpse inside the mind of the Scottish artist
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Chris Carter is mistaken if he thinks more gore will bring The X-Files: I Want to Believe back to life
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‘Can we accept what we have done or not done?’: harrowing film follows doctors in Gaza
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The Hounds Gate Haunting review – a ghostly critic lurks in the stalls in this suspenseful spooker
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‘Fated to become a cult classic’: why Barcelona is my feelgood movie
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49 Miles More review – screwball East Anglian road caper makes a smart left turn
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‘I see the incredible promise’: on set of an AI film shoot as new studios embrace controversial tech
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Joy in Hollywood as historic Cinerama dome to reopen: ‘People still want to go to the movies’
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Move over, Odysseus: time for the women of ancient Greece to have their moment in the sun | Natalie Haynes
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‘The spirit of resistance’: De Gaulle biopic turns into surprise hit for France’s younger viewers
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Mission review – dangerous quest to mend a broken childhood
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Will Poulter on challenging stereotypes in new opioid drama: ‘Shame on us for stigmatizing people’
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The Greatest Showman musical to come alive on the West End stage in 2027
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Out There review – saucer-eyed teen searches for aliens in YA comedy drama
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These Violent Delights review – Scottish Ballet’s feverish Romeo and Juliet is bold and unsettling
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Something Wile E this way comes: how the Looney Toons reboot movie came back from the dead
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Post your questions for Robert Carlyle
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