Bila Burba review – how recreating brutal battles helps pass history down the generations
The Guardian
··
-
Older >
Source
Time
Score
-
-
‘A Thanksgiving classic’: why Stuck in Love is my feelgood movie
The Guardian
··
-
Desperate Journey review – Nazi-fleeing Jewish boy heads for the glamour of wartime Paris
The Guardian
··
-
The Creeps review – reference-heavy mashup of Gremlins and American Pie is stupid-funny
The Guardian
··
-
Monkey soulmates and extraordinary talent: the man Charlie Chaplin called ‘the greatest actor in the world’
The Guardian
··
-
Udo Kier: a life in pictures
The Guardian
··
-
Udo Kier, German actor who starred in 200 films spanning Lars von Trier to Ace Ventura, dies aged 81
The Guardian
··
-
My cultural awakening: Chicken Run turned me vegetarian
The Guardian
··
-
Rocky Horror creator Richard O’Brien: ‘The Spice Girls couldn’t sing. But lovely girls’
The Guardian
··
-
‘I prepared for the role by playing in my room’: the making of Toy Story as it turns 30
The Guardian
··
-
‘The public has been lied to’: secretly made documentary insists that aliens exist
The Guardian
··
-
Who knew it would take an American pope to remind us of the value of art and good taste? | Jason Okundaye
The Guardian
··
-
Celebrity crib sheet: Cynthia Erivo and Ariana Grande are back on the red carpet – here are seven things you need to know
The Guardian
··
-
The Guardian view on authentic casting in Wicked: finally a true celebration of difference | Editorial
The Guardian
··
-
Back to the Future celebrates 40th with three Marty McFlys performing the musical
The Guardian
··
-
Is Avatar’s main villain about to become a good guy? All the signs are pointing that way
The Guardian
··
-
On the way to Wicked: Cynthia Erivo’s stage musicals – in pictures
The Guardian
··
-
‘I think my mum’s going to like it’: Alexander Skarsgård on his gay biker ‘dom-com’ Pillion
The Guardian
··
-
‘My husband collects pictures of old men’s faces to give me’: Keira Knightley on art, ghosts and West Ham’s midfield
The Guardian
··
-
‘A different vibe’: New York welcomes the luxury private cinema experience
The Guardian
··
-
One Flew Over the Cuckoo’s Nest at 50: the spirit of rebellion lives on
The Guardian
··
-
The Saragossa Manuscript review – cult Polish period-costume comedy is outrageous head-spinner
The Guardian
··
-
Wes Anderson: The Archives review – Wesophiles will relish this deep dive into the detail-obsessed director
The Guardian
··
-
Testimony review – a devastating exposé of the Irish church’s brutal Magdalene laundries
The Guardian
··
-
Champagne Problems review – Netflix’s latest Christmas romcom lacks fizz
The Guardian
··
-
Sisu: Road to Revenge review – Finnish hero takes on a Red Army butcher in terrific sequel
The Guardian
··
-
Champagne Problems review – Netflix’s latest Christmas romcom lacks fizz
The Guardian
··
-
North by Northwest: Hitchcock’s funniest, most ambitious film
The Guardian
··
-
Bone Lake review – holiday rental house of horror is fun for everyone
The Guardian
··
-
Mind the glitch: is Hollywood finally getting to grips with movies about artificial intelligence?
The Guardian
··
-
3 Wishes for Christmas review – seasonal romcom has all the personality of a supermarket voucher
The Guardian
··
-
A Desert review – high art meets trailer trash in Americana-aesthetics horror
The Guardian
··
-
Untie me! Why big bows are everywhere – feminine, ironic and strangely subversive
The Guardian
··
-
‘Fights for our material survival’: documentary goes inside the battle for trans rights
The Guardian
··
-
‘I was born in a melting pot. Melting isn’t fun’: Jon M Chu on Wicked: For Good, Ariana Grande – and living the American dream
The Guardian
··
-
The flop that finally flew: why did it take 40 years for Sondheim’s Merrily We Roll Along to soar?
The Guardian
··
-
David Zucker renews attack on new Naked Gun reboot starring Liam Neeson
The Guardian
··
-
Apple Cider Vinegar review – a kidney stone leads into whimsical geology doc
The Guardian
··
-
Fiume o Morte! review – darkly comic reconstruction of D’Annunzio’s Yugoslavian coup
The Guardian
··
-
‘It’s important that we tell our own stories’: how the Wicked movies are helping disability representation on screen
The Guardian
··
-
Marianne Jean-Baptiste: ‘I’d work for Mike Leigh again in a heartbeat – in fact, I’ll pay him!’
The Guardian
··
-
Celebrity crib sheet: Sydney Sweeney is everywhere – here are nine things you need to know about her
The Guardian
··
-
‘He was quite a private person’: expansive auction shows Gene Hackman as actor and artist
The Guardian
··
-
Welcome to the great unwokening of Hollywood! Shame no one can be bothered to turn up | Jason Okundaye
The Guardian
··
-
‘I’m not as fierce as I seem’: Glenn Close on growing up in a cult, marching against Trump – and being unlucky in love
The Guardian
··
-
From Hollywood to holy water: Pope Leo invites stars to the Vatican
The Guardian
··
-
John Cleese Packs It In review – former Python goes on the road in sickness and in health
The Guardian
··
-
Nuremberg review – Russell Crowe is top notch as an on-trial Göring but Rami Malek lets side down
The Guardian
··
-
The Carpenter’s Son review – Nicolas Cage is predictably miscast in dull biblical horror
The Guardian
··
-
The Wild Geese review – Richard Burton and Roger Moore lead cast of amigos in preposterous African caper
The Guardian
··
-
‘Studio bosses were like: it sounds lovely. We’ll pass!’: Joel Edgerton and Clint Bentley on their Oscar-tipped lumberjack tragedy
The Guardian
··
-
Come See Me in the Good Light review – frank, funny and inspiring documentary tackles cancer
The Guardian
··
-
Keeper review – romance goes to hell in effectively eerie horror
The Guardian
··
-
Whoopi Goldberg at 70: her 10 best films – ranked!
The Guardian
··
-
Park Avenue review – Fiona Shaw is fearless in upmarket New York mother-daughter relationship drama
The Guardian
··
-
Left-Handed Girl review – striking Taiwanese family drama is a real marvel
The Guardian
··
-
City on Fire review – Tarantino-inspiring Hong Kong thriller burns with grit and moral tension
The Guardian
··
-
Adulthood review – Alex Winter’s nastily comic crime noir as family intrigue over division of assets
The Guardian
··
-
Swear, self-promote and pretend you’re on a first date: a celebrities’ guide to Letterboxd’s Four Favourites
The Guardian
··
-
Night of the Juggler review – full-throttle 1980s pulp shocker crammed with nonstop gonzo mayhem
The Guardian
··
-
Grub actually: Keira Knightley’s Christmas Waitrose ad is sweet and funny. The first time, anyway
The Guardian
··
-
Being Eddie review – reverential Netflix doc paints limited portrait of Eddie Murphy
The Guardian
··
-
Trapped review – rough and ready abuse story that piles bleakness upon bleakness
The Guardian
··
-
A Merry Little Ex-Mas review – Netflix’s season of cheapo festive fare begins with a shrug
The Guardian
··
-
Holy see: three of Pope Leo’s favourite films are divine. The fourth is hard to forgive
The Guardian
··
-
‘A Ukrainian witch kicks the crap out of Russian soldiers’: the new wave of horror films taking on Putin’s army
The Guardian
··
-
Now You See Me: Now You Don’t review – light-as-a-feather magic threequel
The Guardian
··
-
Old is M Night Shyamalan at his best: ambitious, abrasive and surprisingly poignant
The Guardian
··
-
Caravaggio review – articulate and intelligent portrait of the art titan’s life and work
The Guardian
··
-
‘It’s changed me’: Jeff Goldblum says he has stopped eating meat after working on Wicked
The Guardian
··
