‘The minute I had success, I stopped taking drugs’: John Waters on 60 years of screen carnage
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George Lucas likens AI sceptics to luddites clinging to horses and carts
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Ali G is back. I really wish he wasn’t | Arwa Mahdawi
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Confessions of a Shopaholic: a charming Isla Fisher romcom worth taking to the checkout
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‘It wasn’t a dream, it was a threat’: the film festival celebrating pan-Africanism’s rich and complex history
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Jane Campion remembers Sam Neill: ‘He was radiating peace, beaming love’
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Synthetic Sincerity review – Marc Isaacs’ AI interrogation grapples with identity and existence
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They Fight review – boxing drama is an emotional gutpunch
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Deep Water review – plane-crash survivors play existential roulette with bitey fish
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The Last First Time review – queer coming-of-age drama gives itself up to pleasure
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‘Just a local’: rural New Zealand fondly remembers Sam Neill, its everyday star
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Sam Neill’s final films tell us a lot about who he was as an actor – and why we’ll miss him | Luke Buckmaster
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I interviewed Sam Neill in 2024. He was even more charming than I’d expected | Zoe Williams
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Ladies First has been panned. It’s still an essential watch | Anna Smith
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Bad Reputation review – powerful look at sex workers’ fight for dignity on the Uruguayan streets
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‘You want to reach out and touch everything’: why Labyrinth is my feelgood movie
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Share your tributes and memories of Sam Neill
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Our Hero, Balthazar review – a darkly comic satire of incel culture and gun violence
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A Year in London review – fashion student hits it off with her professor in frothy lesbian romcom
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Christopher Nolan says people ‘disdain’ AI and the idea it will replace humans is ‘nonsense’
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Disney’s live-action Moana fails to make a splash at box office with underwhelming opening
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‘We were kids dressed as gangsters, running riot’ – Alan Parker’s Bugsy Malone at 50, by its cast and crew
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AI ‘actor’ Tilly Norwood has a movie coming out. Spare us this future | Dave Schilling
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‘He stole the show’: do Oscars beckon for Robert Pattinson, star of four of the year’s biggest films – and Batman?
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The Batman Part II rumours hint he’s flying into even darker and weirder territory
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The most fearsome monster in Christopher Nolan’s Odyssey? Elon Musk: the Stephen Collins cartoon
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‘I was like, “Oh my god, I can be taken seriously”’: the women inspired to become lawyers by Legally Blonde
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‘Injustice and pain’: Justin Baldoni makes first public statement on Blake Lively lawsuit
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‘I saw it seven times in the cinema’: readers’ favourite films of 2026 so far
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From Greek epics to biblical blockbusters: the 20 best mythological movies – ranked!
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Evil Dead Burn review – wildly gory horror tears a grieving family to pieces
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Saccharine review – eating disorder body horror offers plenty to chew over
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Moana review – Dwayne Johnson’s demigod on autopilot in dull live-action remake
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New barnet: why is everyone wigging out over Dwayne Johnson’s Moana hairpiece?
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Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
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The Invite welcomes heterosexual polyamory into cinemas. It’s about time
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‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
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The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
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Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
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Life Support review – quietly devastating medics’ eye view of the war in Gaza
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Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
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‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
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The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
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Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
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‘Cosy competency porn’: why The Post is my feelgood movie
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Shoot the People review – a powerful portrait of a talented yet controversial photographer
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A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
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The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more
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Farewell to Jackass, the finest catalogue of male idiocy – it could only go on for so long | Tom Usher
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Burning flags, busty blondes and bison skulls: 48 photographs that capture America at 250
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Supergirl is a box office catastrophe. How can Marvel and DC save the superhero movie?
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The making of Independence Day at 30: ‘I panicked and raced to set to rewrite’
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‘I feel both thrilled and ruined by this’: Olivia Wilde and Edward Norton on making sex comedy The Invite
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‘A female Minion would be the beginning of the end’: Pierre Coffin on creepy memes, decoding Minionese and farting bananas
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Calendar Girls: The Musical review – heartfelt and hilarious, with nimbly handled nudity
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Birds of War review – war journalists find love among the ruins
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Lethal Weapon star Danny Glover reveals Alzheimer’s diagnosis
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The Guilty review – Russell Tovey is commanding in cop thriller that fills you with dread
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Spielberg’s Disclosure Day is making some wonder: will we have real disclosure soon? | Seth Shostak
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The best theatre to stream this month: all rise for Rosamund Pike’s Inter Alia
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‘Get away from there – run!’ The stunning film about love blossoming amid the carnage of Aleppo
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Enola Holmes 3 review – Netflix mystery franchise is starting to lose steam
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Citizen Vigilante review – Armie Hammer returns to obliterate the imaginary woke piñata of Europe-stan
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Minions & Monsters review – a smart premise descends into more of the same
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Blake Lively files to receive $8m in legal fees from Justin Baldoni and his studio
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Spider-Man’s web of lies: what would actually happen if you were bitten by a radioactive spider?
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Why is Elon Musk boosting an anti-immigrant film loved by the far right? | Mehdi Hasan
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Michael Byrne obituary
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The original Moana: did a 1926 documentary give birth to a 21st century Disney blockbuster?
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The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy
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