The Secret of Me review – documentary tells tragic story of childhood intersex reassignment surgery
The Guardian
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‘Risky is the best way to be’: Tim Curry on sexuality, surviving a stroke – and 50 years of stardom
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Could ‘trash fashion’ save this Nairobi neighbourhood from drowning in discarded western clothes?
The Guardian
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‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton
The Guardian
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‘The most spontaneous person I’ve ever met’: Guardian writers remember Diane Keaton
The Guardian
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H is for Hawk review – Claire Foy is tremendously authentic in eccentric grief drama
The Guardian
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‘I cared only what Diane Keaton had to say’: Woody Allen pays tribute to late actor, co-star and former partner
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Souleymane’s Story review – superb performance ballasts drama of man clinging on in the margins in Paris
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‘Cosy and comforting’: why The Fellowship of the Ring is my feelgood movie
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Cutting Through Rocks review – the female firebrand fighting the patriarchy in rural Iran
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Tomorrow I Leave review – poignant portrait of a care worker sacrificing her home life for her work
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From Annie Hall to Something’s Gotta Give: Diane Keaton was the quintessential comedy queen
The Guardian
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‘How is this possible?’: a new film looks inside the appalling abuses of the Alabama prison system
The Guardian
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Diane Keaton’s style: she dodged the stamp of the machine
The Guardian
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My foolproof guide to living with a partner – and not falling out about home decor | Polly Hudson
The Guardian
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An ethereally self-aware comedy genius: the loss of Diane Keaton is devastating | Peter Bradshaw
The Guardian
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Diane Keaton, Oscar-winning star of Annie Hall and The Godfather, dies aged 79
The Guardian
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Do we need Imax? 70mm? VistaVision? All I need to watch movies at the cinema is darkness and quiet | Larry Ryan
The Guardian
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‘Verging on unwatchable’: Guardian writers on their most stressful movies
The Guardian
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Is This Thing On? review – Bradley Cooper’s comedy of comedians is a charmer
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Moss and Freud review – Kate meets Lucian and they get on brilliantly with absolutely no funny business at all
The Guardian
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Post your questions for Penelope Wilton
The Guardian
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Monster munch: can Predator: Badlands survive the removal of its unashamedly ultraviolent roots?
The Guardian
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John Candy: I Like Me review – starry but treacly tribute to comedy legend
The Guardian
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Forgive Us All review – a dead-boring zombie film? That’s unforgivable
The Guardian
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‘It’s like fencing with a close friend. Terrifying in a lovely way’: Colin Farrell and Tilda Swinton on taking a gamble with their new drama
The Guardian
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Good Boy review – Stephen Graham and Andrea Riseborough turn nasty in Kubrickian absurdist nightmare
The Guardian
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Vicious review – Dakota Fanning’s evil box horror is an open-and-shut dud
The Guardian
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Black Is Beautiful: The Kwame Brathwaite Story – exhilarating record of game-changing photographer
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Marlon Wayans: ‘People get very violent about White Chicks’
The Guardian
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The Perfect Neighbor review – a notorious shooting through the eye of a Florida cop’s body-cam
The Guardian
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Colin Hanks on his John Candy documentary: ‘Inspiring for me as an actor’
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Cover-Up review – Laura Poitras’s Seymour Hersh documentary is a thrilling ode to journalism
The Guardian
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Maintenance Required review – Amazon’s synthetic You’ve Got Mail rip-off
The Guardian
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Inspired and emotional: why a drunk Ray Winstone was exactly what the Star Wars prequels needed
The Guardian
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Paris 75 review – passionate fans-eye view reanimates tales of the 70s Leeds United golden years
The Guardian
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How the Guardian’s new film quiz turned this puzzle fan into a question setter | Anne Billson
The Guardian
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Grow review – polished pumpkin growing caper stuffed with perky charm and comedy talent
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Cecil Beaton’s Fashionable World review – a narrow view of beauty from a borderline stalker
The Guardian
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Tron: Ares review – even Gillian Anderson can’t slap this mind-bendingly dull sci-fi into shape
The Guardian
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Ken Jacobs, luminary of New York underground film culture, dies aged 92
The Guardian
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‘The masturbation scene really happened’: inside Safe Space, the campus drama about toppling a statue
The Guardian
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A relic of horny Hollywood: why The Mummy remains a classic bisexual awakening movie
The Guardian
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Lynne Ramsay’s passion, Jim Jarmusch’s star turn and knives come out again: Peter Bradshaw’s London film festival picks
The Guardian
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Audrey Hepburn to Salvador Dalí: Cecil Beaton’s bright young things – in pictures
The Guardian
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The Burden review – deeply personal portrait of living with Aids in secret
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Robin Williams’ daughter Zelda hits out at AI-generated videos of her dead father: ‘stop doing this to him’
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Bad movies: is Ridley Scott right to say that 60% of films stink?
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Amazon drops gun-free James Bond poster artwork from Prime Video streaming site
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‘The world needs to know what happened to my baby’: inside devastating new police-body-cam film The Perfect Neighbor
The Guardian
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Daniel Day-Lewis is cross that people equate method acting with ‘behaving like a lunatic’. That’s exactly why we love it
The Guardian
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Plainclothes review – shame and anxiety in entrapment yarn about a gay cop going undercover
The Guardian
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‘Logs falling from the sky’: the harrowing true story behind wildfire drama The Lost Bus
The Guardian
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One Bladder After Another: why bros are finally having to queue for the loo | Emma Beddington
The Guardian
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‘Supremely satisfying’: why Strictly Ballroom is my feelgood movie
The Guardian
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A Tooth Fairy Tale review – animated adventure with a sprinkling of family-friendly tween romance
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Omar and Cedric: If This Ever Gets Weird review – Mars Volta bromance looks for time out
The Guardian
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Palestinian film-makers on their favorite Palestinian movies: ‘I felt like I was watching my own story’
The Guardian
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‘No one’s been willing to take a risk’: are Palestinian films still struggling to get seen?
The Guardian
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Malcolm McDowell: ‘I would be a total disaster as a spy – I do love to gossip’
The Guardian
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From cage to screen: The Smashing Machine and Mark Kerr’s second act with The Rock
The Guardian
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My cultural awakening: Ratatouille helped me overcome my insomnia
The Guardian
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From the BFI London film festival to Taylor Swift: your complete entertainment guide to the week ahead
The Guardian
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A House of Dynamite to Lady Gaga: the week in rave reviews
The Guardian
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Taylor Swift: The Official Release Party of a Showgirl review – lazy big screen cash-in
The Guardian
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The Guardian view on Tilly Norwood: she’s not art, she’s data | Editorial
The Guardian
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Shell review – Elisabeth Moss gets Substance-d by Kate Hudson in schlocky curio
The Guardian
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How do you celebrate James Bond Day when you don’t know who the next 007 will be?
The Guardian
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Keeping Up Appearances actor Patricia Routledge dies aged 96
The Guardian
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Strange Journey: The Story of Rocky Horror review – insiders’ account of cult musical 50 years on
The Guardian
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