Strapped for cash: why Francis Ford Coppola is flogging his watches
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House of Dynamite writer ‘respectfully disagrees’ with Pentagon’s complaints about nuclear missile thriller
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Palestine 36 review – impassioned epic set during the Arab revolt against British colonial rule
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On the set of Quentin Tarantino’s Once Upon a Time … in Hollywood – in pictures
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In Waves and War review – Navy Seals battle PTSD with psychedelic therapy
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Vogue World 2025: Hollywood stars turn out to raise money for LA wildfire victims – in pictures
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Canuto’s Transformation review – did a man really turn into a jaguar in Brazil’s remote forest?
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‘You just believe’: why Willy Wonka & the Chocolate Factory is my feelgood movie
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Björn Andrésen, Swedish actor who starred in Death in Venice, dies aged 70
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June Lockhart obituary
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‘I don’t know how anyone takes themselves seriously in this job’: Hollywood hotshot Glen Powell talks to Marina Hyde
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This isn’t the spin-off you’re looking for: why Disney was right to ditch Adam Driver’s Ben Solo movie
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Statue of Renée Zellweger as Bridget Jones to be unveiled in London
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Shock therapy: why scary movies keep evolving – and making money
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‘When I told him I’d secretly seen his films, his eyes filled with tears’: Isabella Rossellini remembers her father Roberto
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Stellan Skarsgård says he is living ‘on overtime’ since having a stroke three years ago
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Penelope Wilton: ‘They wanted me to tone down my death in Shaun of the Dead. It was too frightening’
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Spill the tea! Jarman award nominees on tour – in pictures
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Aprons are in fashion – but will they make you look like a trad wife?
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A film about an audacious art heist? Inside The Mastermind, the timeliest movie ever
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Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play
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Chain Reactions review – famous fans of Texas Chain Saw Massacre go deep into the legendary slasher
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Post your questions for Terry Gilliam
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Shelby Oaks review – junky Halloween horror delivers zero scares
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Love+War review – Lynsey Addario’s courageous photojournalism shines out in occasionally odd study
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The Hand That Rocks the Cradle review – serviceable 90s thriller remake
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#MeToo campus thriller After the Hunt is provocation for provocation’s sake | Adrian Horton
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Fallen stars: why are Hollywood A-listers flopping at the box office?
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Bend It Like Beckham was a classic soccer movie – with one very worrying relationship
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‘It’s like they’ve erupted out of someone’s subconscious’: how horror came to possess modern cinemas
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Sketch review – googly-eyed fuzzballs come to glitter-burping life in fun kids fantasy yarn
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Apparently many male film stars don’t wear underpants. Have they never heard of #MeToo? Or accidents?
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It Doesn’t Get Any Better Than This review – DIY found-footage horror looks for chills in a new home
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The Draft! review – entertaining Indonesian meta-horror goes down the Scream route
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Diablo review – Scott Adkins enters Cormac McCarthy territory in over-the-border revenge thriller
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‘I said goodbye to Heath Ledger at this urinal’: a stroll round Terry Gilliam’s pivotal places
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Nostalgia loop: it’s time for Sony to get Tobey Maguire and Andrew Garfield back in their Spidey suits | Ben Child
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Interstellar’s second life: how Christopher Nolan’s most divisive film became his most loved
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Secret Cinema company is bought by Hollywood power broker
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Strange Harvest review – lurid horror expertly disguised as true crime
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‘I hope he goes to jail’: Brazil’s Cannes-winning director on Bolsonaro and political amnesia
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Go bald or go home: LA cinema offers free Bugonia ticket to those willing to shave their heads
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Diamond Sky review – fairytale heist thriller has its head in the clouds
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‘Stole my heart’: why My Best Friend’s Wedding is my feelgood movie
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Levers review – gloom-laden experimental eclipse drama about the play of light and darkness
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Story of Indigenous activist’s murder takes top prize at London film festival
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‘Why are our black boys hurting each other?’ Letitia Wright on the deaths that inspired her directorial debut
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Palestine 36 director Annemarie Jacir: ‘We don’t want a state, we just want to live’
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& Sons review – Bill Nighy and Imelda Staunton’s riveting showdown rescues a laborious plot
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‘Our world is combustible’: Kathryn Bigelow on AI, Andy Warhol and nuclear Armageddon
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Warner Bros Discovery says Israeli film boycott ‘violates our policies’
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Blue Moon review – Ethan Hawke is terrific in Richard Linklater’s bitter Broadway breakup drama
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Al Pacino on co-star and ex-girlfriend Diane Keaton: ‘She lived without limits’
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Neurodiverse collective wins award for ‘creative audacity’ at London film festival
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‘We want to use this as a launchpad’: can A24 also conquer the world of theater?
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Black Phone 2 review – hit horror sequel lumbers toward Elm Street
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Elliott Gould remembers Diane Keaton – ‘We snuck into a bush and she said: “This is called making out”’
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Diane Keaton died of pneumonia, family reveals
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‘Theatre is an elitist artform for privileged people’: Daniel Day-Lewis talks class, cinema and his crush on Mary Poppins
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‘She does terrible things’: what can a Marvel director do with Ibsen’s ruthless heroine Hedda Gabler?
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From Heat to thermals: Al Pacino and Robert De Niro have paired up to flog puffer jackets
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Drew Struzan, poster designer for Star Wars and Indiana Jones films, dies aged 78
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‘Left me physically exhausted’: readers on their most stressful movies ever
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Diane Keaton remembered by her final director: ‘Cameramen dissolved into puddles at her feet’
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‘Shattered my whole world’: the wild story behind stranger-than-fiction drama Roofman
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‘My eyes are stinging, but damn it, they’re open’: surviving a 12-hour Twilight marathon in the year 2025
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Louder than Bombs: Joachim Trier’s thorniest film might be his best
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The House at Hallow End review – home renovation horror finds emotional heft among the terror
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Keanu Reeves says Diane Keaton was ‘a generous artist and very special person’
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Sunlight review – monkey-suited woman goes on road trip in Nina Conti’s super-quirky directing debut
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