‘She told me you shouldn’t put anything in your ear smaller than your elbow’: readers on Maggie Smith
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Whisky growl, granite jaw and unflappable charisma: Kris Kristofferson was perfect as a lover or a fighter
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The Deserving review – mute serial killer yarn takes cues from horror classics of the past
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Things Will Be Different review – time travel thriller as a robber tries escape with the cash
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The Battle for Laikipia review – brutal impact of British land ownership in Kenya
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Will Ferrell’s Netflix doc Will & Harper is flawed but vital viewing for cis people | Veronica Esposito
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Signs of War review – gripping testimony of harrowing march to conflict in Ukraine
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Medicine Man: The Stan Brock Story review – life story of America’s healthcare saviour
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Kris Kristofferson – a life in pictures
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Kris Kristofferson, US country singer and actor, dies aged 88
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John Ashton, Beverly Hills Cop actor, dies aged 76
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‘It’s an intensely beautiful moment – then it goes away’: Emma Portner on dance’s raw power
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Never Let Go review – Halle Berry shoulders the mother lode in sinuous survivalist horror
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The Substance is gory – but the real body horror is that 70% of women dislike the size of their breasts | Emma Beddington
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Wolfs review – forgettable Clooney-Pitt vehicle soon runs out of gas
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Will & Harper review – Will Ferrell hits the road with a newly transitioned pal
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My Old Ass review – time-bending coming-of-age comedy with real heart and depth
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‘It has felt so bizarre’: Industry’s Harry Lawtey on coping with sudden fame
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Megalopolis review – Francis Ford Coppola’s epic fail
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Elizabeth Olsen: ‘I’m not the sexy one. I’m not the nerd. I don’t know where I fit’
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Sunday with Will Poulter: ‘I leave the cooking to my mum, but we’ll do the dishes’
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‘People say, just get surgery, and I’m like: Bruh, this is after surgery’
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Is The Substance brilliant feminist critique or a soulless mess?
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Streaming: the best private-eye movies
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Megalopolis to Industry: a complete guide to this week’s entertainment
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Marina Hyde on Al Fayed and Diddy’s enablers, the hidden life of Elizabeth Taylor, and Philippa Perry on embracing anger – podcast
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‘She found life hysterically funny and unbearably painful’: Maggie Smith remembered by Nicholas Hytner
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Mike Newell on Maggie Smith: ‘She never bit me, but if she did bite, you stayed bitten’
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Share your tributes and memories of Maggie Smith
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Cinema in mafia boss’s Sicily hometown refuses to show film of his life
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Maggie Smith's 20 best films – ranked!
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Maggie Smith – a life in pictures
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Can Marvel’s Thunderbolts* avoid the mistakes of DC’s Suicide Squad?
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Wolfs to Inside Out 2: the seven best films to watch on TV this week
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Lady Gaga: Harlequin review – Joker companion album does jazz standards with a gaudy grin
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Muriel’s Wedding at 30: why we still love this classic Australian film and its ‘terrible’ heroine
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US judge considers Rust armorer’s appeal against manslaughter conviction
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JD Souther obituary
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‘She’d never done anything like this before’: behind the scenes on Shelley Duvall’s extraordinary final film
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The Wild Robot review – heartfelt animated adventure is a soaring success
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Paul Feig: ‘Everyone went cannibal over the female Ghostbusters. A lot of dudes were looking for a fight’
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My Old Ass review – Aubrey Plaza adds texture to comedy of teen meeting future self
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The Mouse Trap review – parasitic IP horror gives birth to slasher Mickey Mouse
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The Teacher review – a Palestinian educator is troubled by his radical past
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Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror
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Apartment 7A review – Rosemary’s Baby prequel is a vacant rehash
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‘Our Romeo even impressed the school bullies’: stars of stage on the power of drama in schools
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Unit 234: The Lock Up review – storage facility holds deadly secrets in fun thriller
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Azrael: Angel of Death review – dialogue-free sci-fi horror takes cues from A Quiet Place
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Will Ferrell and Harper Steele: ‘More people say they’ve seen an alien than a trans person’
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Paul McCartney and Wings: One Hand Clapping review – restored rockumentary is pure pleasure
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Lady Gaga announces 13-song Joker companion album Harlequin
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The Fall review – startling imagery abounds in Tarsem Singh’s cult Gilliamesque epic
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I’m Not Everything I Want to Be review – sex, fashion and addiction from Czech Nan Goldin
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Post your questions for Isabelle Huppert
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Escape review – blonds have much less fun in sleazy throwback survival horror
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Shocks delivered: why pregnancy body horror is on the rise
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Survive review – smart, surrealist disaster flick filled with arresting dream-like imagery
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The Shawshank Redemption at 30: is it really the greatest film ever made?
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The Invention of the Other review – fascinating first glimpse of uncontacted Amazon tribe
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‘A struggle to feel pride’: coming-of-age film breaks new ground in Sámi culture
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The hidden life of Elizabeth Taylor – as seen by her son: ‘Her love for Richard Burton never went away’
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Cleo Sylvestre obituary
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‘I hope this changes perceptions’: documentary focuses on the real Elizabeth Taylor
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The Substance review – Demi Moore is fearless in visceral feminist body horror
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His Three Daughters review – exquisitely judged New York sibling drama
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Skeleton warriors and plasticine chickens: why stop-motion animation is still going strong a century on
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Romola Garai: ‘For a lot of my 20s, I was rude, annoying and a brat’
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Streaming: the best biker movies
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From The Substance to Uncanny Visions: a complete guide to this week’s entertainment
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