‘It feels very personal’: Anna Kendrick on coercion, not wanting children and making a movie about dating a killer
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Lonely Planet review - Laura Dern and Liam Hemsworth heat up beach-read travel romance
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Matthew Modine: ‘The film and TV industry chews kids up and spits them out’
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In Restless Dreams: The Music of Paul Simon review – heartfelt portrait of a generational talent
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Timestalker review – Alice Lowe’s anti-romcom is a darkly hilarious spin through history
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Buffalo Kids review – CGI old west adventure with a big, warm heart
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Blitz review – Steve McQueen’s rousing wartime adventure is surprisingly old-fashioned
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Flopping at the box office, hated by the critics – could Joker: Folie à Deux possibly be any worse?
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Almodóvar in English, McQueen at war and Jolie on song: Peter Bradshaw’s picks of the London film festival
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Haunted Ulster Live review – mock Halloween broadcast evokes the spectre of Ghostwatch
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Return of the Mexican sex bombs: Gael García Bernal and Diego Luna on their boxing comedy La Máquina
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‘Bond’s audience will be patient’: Amazon MGM Studios’ boss on the hunt for a new 007
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Stuntman review – spirited love letter to golden age of Hong Kong’s action movies
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Bunting, bobbies and Doctor Who phone boxes: Dinard, the French film festival that’s mad for Britain
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‘It was a challenge to film both sides’: the struggle to portray Kenya’s age-old land dispute
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Daddy’s Head review – a creature emerges from grief in clever British psychological horror
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Singin’ in the nuclear rain: new films push the musical genre in a darker direction
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The Three Michaels review – trio of Michael Jackson lookalikes reach for the stars
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Sally Field recalls her ‘hideous’ illegal abortion at 17 as she urges voters to back Kamala Harris
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‘Rutger Hauer said he didn’t play bad guys’: how we made chiller classic The Hitcher
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Forget the f-words, ignore the erections: how did an entire plane collectively choose to watch Daddio?
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In Her Place review – true-crime drama of a court worker fascinated by author in the dock
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Take Cover review – Scott Adkins hitman thriller makes Fast & Furious look like Gilbert and Sullivan
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Sound of Hope: The Story of Possum Trot review – Sound of Freedom followup is a test of faith
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Portraits of Dangerous Women review – dog car crash sets off baffling and peculiar drama
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Al Pacino reveals he almost died of Covid – and delivers his verdict on the afterlife
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Michel Blanc, star of Monsieur Hire, dies aged 72
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Maya and the Wave review – spotlight on the Brazilian surfer triumphing over a riptide of sexism
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‘My disability is the least interesting thing about me’: Actor Adam Pearson on fame, film and his sibling rivalry
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Joker: Folie à Deux review – Lady Gaga electrifies in mediocre musical sequel
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Keanu Reeves spins out at Indianapolis Motor Speedway in pro racing debut
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Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’
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‘I can’t do gore and I’m not a gamer’: Ella Purnell on being an unlikely scream queen
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‘I’m fine with people bashing us’: inside the controversial Trump biopic
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Mark Kermode on… British director Carol Morley, who sees the surreal in the real
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From Joker: Folie à Deux to Francis Bacon: a complete guide to this week’s entertainment
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‘It was hard not to stare at him all the time’: inside the remarkable rise and shocking loss of Leonard Rossiter
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The Platform 2 review – Netflix dystopian horror sequel falls off
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Alice Lowe: ‘I’ve always gotten mouthy about sexism and it hasn’t really helped my career’
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Give us DC’s Deathstroke and Bane movie – it can’t be worse than Aquaman and the Lost Kingdom
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The Boy and the Heron to Knox Goes Away: the seven best films to watch on TV this week
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‘I never said I was going to retire ...’ Paul Simon on disability, drive and the mystery behind his greatest songs
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Hold Your Breath review – Sarah Paulson gets lost in scattered horror
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A live-action version of Rugrats with CGI babies sounds nightmarish … and kind of interesting | Stuart Heritage
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Time tunnels, bathing in blood and wonton soup: movies about the search for eternal youth – ranked!
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Young Frankenstein review – Mel Brooks monster comedy is wonderfully alive as ever
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A wild ride! Jarman award nominees on tour – in pictures
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An Inspector Calls review – Alastair Sim drawing room drama brilliantly exposes its era’s hypocrisies
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The Friend review – Naomi Watts befriends great dane in sweet, slight drama
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John Boyega to play Otis Redding in new biopic alongside Danielle Deadwyler
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House of Spoils review – Ariana DeBose’s foodie horror is a light snack
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V/H/S/Beyond review – charmingly ragged lo-fi horror anthology strikes again
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Daniel Day-Lewis’s return to acting is welcome news – but being directed by his son might prove tricky | Peter Bradshaw
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Children of the Cult review – fierce doc about the Osho commune survivors
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Maya and the Wave review – the sea is not the only risk for female big-wave surfer
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Harder Than the Rock review – reggae’s unsung heroes finally get their moment
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A moment that changed me: I botched my final Harry Potter audition and felt dismay, remorse, shame – then relief
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‘I was barricading myself with alcohol’: Matthew López on the play that was too scary to stage
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Fountain of youth: The Substance and movies’ obsession with fictional drugs
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Die Before You Die review – stunt vlogger comes undone in buried-alive survival thriller
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Salem’s Lot review – Stephen King’s small-town vampire rework lacks bite
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Beware Hollywood’s digital demolition: it’s as if your favourite films and TV shows never existed | Zach Schonfeld
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The Texas Chain Saw Massacre at 50: a brutal yet artful shock horror
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Inherit the Witch review – like an am-dram theatre group doing a murder mystery party in an Airbnb
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Blood Star review – young tearaway fights for survival in cat-and-mouse thriller
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Sing Sing actor JJ Velazquez exonerated after wrongful conviction
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New Mexico judge denies Rust armorer’s appeal for new trial
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Kris Kristofferson obituary
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‘She told me you shouldn’t put anything in your ear smaller than your elbow’: readers on Maggie Smith
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Whisky growl, granite jaw and unflappable charisma: Kris Kristofferson was perfect as a lover or a fighter
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