‘People often don’t feel treated as equals’: Adrien Brody on complexity, comebacks and The Brutalist
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Trump names Mel Gibson, Jon Voight and Sylvester Stallone as Hollywood ‘special ambassadors’
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David Lynch – a life in pictures
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David Lynch: the great American surrealist who made experimentalism mainstream
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Justin Baldoni sues Blake Lively and Ryan Reynolds for $400m
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Film-maker Jacques Audiard apologises after Mexican outrage over Emilia Pérez
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‘I hate this movie, and I haven’t even seen it’ – Americans won’t let a chimp Robbie Williams entertain them
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Timothée Chalamet claims he was fined £65 for parking Lime bike at A Complete Unknown premiere
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Captain Kronos: Vampire Hunter review – swashbuckling Hammer horror still has bite
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Tony Slattery obituary
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One of Them Days review – Keke Palmer and SZA take a bumpy but fun ride
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Wolf Man review – fear-free update of the lupine myth lacks bite and believability
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Baftas 2025: Conclave leads a pack of underdog tales – and Kneecap may already have won | Peter Bradshaw
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‘I’m literally Joan Baez right now’: gen Z women relate to Bob Dylan’s toxic situationship
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A twist of Lime: Timothée Chalamet rode a rental bike on to the red carpet. But how long had he been in the saddle?
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Conclave blessed with 12 Bafta nominations as Nicole Kidman and Denzel Washington shut out
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Emmanuelle review – 70s odyssey of saucy self awakening gets a Hong Kong-set makeover
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William Tell review – limbs fly as Claes Bang’s medieval hero rallies a Swiss army
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‘A kitten on heat with a racy physique’: the mystery of the bloodcurdling cat screech used in hundreds of movies
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Behind the Candelabra – the Liberace biopic as sordid as its subject
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Werewolves review – post-apocalyptic lupine horror makes an enemy of the moonlight
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Most romcoms don’t dare ask what women in their 30s really want. We Live In Time does | Hollie Richardson
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‘Like a big box of chocolates’: Tom Hanks puts his typewriters on display
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Catching Dust review – urbanites and hillbillies clash in confident desert noir
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Alone No More review – touching shaggy dog tale about a stray mutt who rescues a lonely man
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Oscar nominations further delayed by wildfires as Grammys and Sundance set to go ahead
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‘I was waking up five times a night’: how film-maker Mikhail Krichman escaped from Russia
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Marvel is ready to recast Chadwick Boseman’s T’Challa in Black Panther. Should they?
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Panda Bear in Africa review – bear meets dragon in cross between Lion King and Kung Fu Panda
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The Girl in the Pool review – spectacularly schlocky hide-a-body murder mystery
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‘Watched it about 12 times’: why Notting Hill is my feelgood movie
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My Stolen Planet review – home-movie bulletins unearths Iran’s forbidden past
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‘When I sense something is not right, I am going to protect myself’ – Lucy Liu on success, shame and calling out Bill Murray
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‘I was 2cm from being paralysed’: UK stunt artists celebrated with donation to BFI
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And the winner should be… Observer critics choose their alternative Oscars for 2025
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A Real Pain review – Jesse Eisenberg and Kieran Culkin spar in sublimely bittersweet Holocaust tour movie
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Maria review – Angelina Jolie excels as tragic Callas
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‘It’s the moment when genius comes into the universe’: the film recreating SNL’s chaotic first night
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Nick Frost: ‘I’d like to say sorry to my mum. She was an alcoholic and I spent a lot of time hating her’
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Streaming: Pepe and the best animal films for grownups
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Make Olympics more frequent and you risk jumping the shark | Letter
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Mel Gibson to cast de-aged Jim Caviezel in ‘acid trip’ sequel to Passion of the Christ
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Ignore all the fresh horrors of reality … two School of Rock co-stars just got married! | Stuart Heritage
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Crime, comedy and The Count of Monte-Cristo: French flock to cinemas … to watch homegrown films
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Unstoppable to Alien: Romulus – the seven best films to watch on TV this week
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‘Every day is 24 hours of panic to just get out the door’: Jesse Eisenberg on self-indulgence, candid aunts and his Oscar-tipped Holocaust comedy
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Alec Baldwin sues prosecutors in Rust trial, alleging civil rights violations
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Bank of Dave 2: The Loan Ranger review – Rory Kinnear files a solid return as the bloke from Burnley
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Malcolm Le Grice obituary
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Rowan Atkinson at 70: his best films – ranked!
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But what about … the most overlooked performances of this awards season
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Charles Shyer obituary
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More fizzle than pop: the limits of Nicole Kidman’s erotic drama Babygirl
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Wicked, A Complete Unknown and Shôgun lead Screen Actors Guild nominations
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Maria review – Angelina Jolie’s Callas commands the screen as a great diva in decline
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A Real Pain review – Jesse Eisenberg’s sauntering Holocaust tour comedy is a masterpiece
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Awards success of cartel boss musical Emilia Pérez prompts outrage in Mexico
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Babygirl review – Nicole Kidman sex-positive erotic thriller fails to bring the menace
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Pepe review – inside the beautiful mind of Pablo Escobar’s hippo
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Twin Peaks: The Return – how the reboot of David Lynch’s oddball masterpiece improved on the original
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The Damned review – atmospheric period chiller twists the knife on Iceland fishers
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From F1 to Mickey 17: the 2025 films Guardian writers are most excited about
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Get Away review – Nick Frost ramps up the ridiculousness in comedy horror
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Street Trash review – grisly remake of cult horror sends exploding corpses to South Africa
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Zendaya and Tom Holland might be engaged – and of course people are being normal about it
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Demi Moore’s stellar second act: how the star was finally given her due at 62
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Aubrey Plaza calls husband Jeff Baena’s death ‘an unimaginable tragedy’
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Demi, Jodie and Nicole: is Hollywood finally ready to recognise complex female characters over 40? | Natasha Ginnivan
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‘It’s easy to call what she did evil’: inside Denmark’s Oscars entry, about a serial child murderer
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‘I laughed, I cried, I reflected on many things’: Guardian readers’ best films of 2024
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