Naomi Watts on movies, midlife and menopause: ‘You are hot, and then you are not’
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Felicity Jones: ‘I try not to look in the mirror too much’
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‘I was 25 and done with playing a teenager’: Asa Butterfield on Sex Education, stage fright and his ‘terrifying’ one-man play
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Streaming: Gladiator II and the best sword-and-sandal movies
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From The Brutalist to FKA twigs: a complete guide to this week’s entertainment in the UK
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If I Had Legs I’d Kick You review – Rose Byrne is a knockout in anxious dark comedy
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Omaha review – John Magaro leads lean but affecting family drama
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‘Stick-it-to-the-man sentiment’: Oscar-nominated films compete to bait Donald Trump
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Jimpa review – Olivia Colman soars in otherwise muddled queer family drama
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‘Everything is trying to kill you’: harrowing Ukraine film gets standing ovation at Sundance
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Twinless review – dark, inventive comedy takes an unexpected path
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Saudi Arabia asks Hans Zimmer to rework national anthem
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Ryan Gosling for Star Wars? It may be the end of the franchise as we know it
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Furiosa: A Mad Max Saga to Star Trek: Section 31 – the seven best films to watch on TV this week
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‘Her face is a marvel!’: Vanessa Redgrave’s 20 best films – ranked!
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Flight Risk review – Mel Gibson serves up white-knuckle fun in airplane suspense thriller
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Nosferatu’s Robert Eggers to direct sequel to 1986’s Labyrinth
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Oscars groupthink pushes Emilia Pérez, the weakest nominee, to a record-breaking lead | Peter Bradshaw
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Tell us: who is your pick to win at the Oscars 2025?
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Sundance 2025: the 10 films not to miss at this year’s festival
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Iranian Oscar nominee Mohammad Rasoulof: ‘After my arrest, I told myself: don’t hold back’
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Oscars nominations 2025: Emilia Pérez breaks record with 13 as The Brutalist and Wicked both trail with 10
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What do I want from a film? An ending, not a surprise cliffhanger | Joel Snape
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‘I was careful not to exploit the tears or the drama’: the director of Oscar-tipped Once Upon a Time in Ukraine on her powerful documentary
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An oral history of Twin Peaks by its unforgettable stars: ‘I put my waitress uniform on and began bawling’
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Academy says Oscars will go on as planned and ‘honor’ LA amid fires
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‘He made me feel I didn’t need to fit in’: readers’ tributes to David Lynch – and their most Lynchian photograph
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Calamity Jane review – mighty pretty music but this western could be wilder
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‘I will fall over’: Judi Dench says worsening eyesight means she can’t go out alone
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I’m just Kenobe: Ryan Gosling set to join Star Wars franchise in as-yet-untitled movie
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Presence review – Soderbergh’s ghost’s-eye movie plays it cool with an unhappy family
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Rave on for the Avon review – Bristol wild swimmers lead a joyful protest campaign
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TV tonight: cancel all plans – it’s the final week of The Traitors
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Controversial French director Bertrand Blier dies at age 85
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‘The hair, the voice, the casual cruelty – they nailed it!’ Bob Dylan experts rate A Complete Unknown
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Broadway biopic and film with Jessica Chastain among Berlinale highlights
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Vomiting! Fainting! Heart attacks! How dangerous can it be to watch a movie?
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Up the River With Acid review – intimate, abstract portrait of a father’s dementia
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Into the Deep review – Richard Dreyfuss brings the meaning to smugglers v sharks thriller
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Are you being watched? Soderbergh’s ghost voyeur movie taps strange truths
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Grafted review – Face/Off-style skin-graft horror has layers of punky attitude
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The Brutalist and Emilia Perez’s voice-cloning controversies make AI the new awards season battleground
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Oscar buzz and genre snubs: will the Academy finally give sci-fi, fantasy and horror their due?
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Sunray: Fallen Soldier review – staple guns pressed into service in brutal payback thriller
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‘An unmitigated joy’: why Married to the Mob is my feelgood movie
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Share your tributes and memories of David Lynch – and your most Lynchian photograph
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Mother Father Sister Brother Frank review – frantic night of murder, mayhem and family bonding
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Moving pictures: comics and animation exhibition showcases stories of migration
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Subversive, warm and wild at heart: David Lynch deserves all his tributes
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Lights, camera, concrete! How Hollywood is playing a part in brutalism’s redemption
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Emmanuelle review – dismal remake of 1974 French erotic film
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‘Animals can feel good and evil’: film puts new perspective on Ukraine war
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A Complete Unknown review – Timothée Chalamet radiates charisma in evocative Dylan biopic
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Vermiglio review – exquisite Italian Alps wartime drama
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Blood Simple at 40: how the Coens set the standard for modern noir
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‘It’s a PR battle’: inside the Blake Lively and Justin Baldoni lawsuits
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Rami Malek on rebellion, racism, and still feeling like an outsider: ‘I’m white passing, but growing up in LA, we definitely didn’t fit in’
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A Complete Unknown to The Night Agent: a complete guide to this week’s entertainment in the UK
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The Guardian view on musical tastes: beware the algorithm comfort zone | Editorial
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‘David Lynch altered our brains’: fellow directors, friends and fans remember a titan of cinema
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Dame Joan Plowright obituary
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How have the California wildfires affected Hollywood?
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From Mulholland Drive to Twin Peaks via Lost Highway: all David Lynch’s films and TV shows – ranked
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‘Music is a magic’: how David Lynch used song and sound to transcend reality
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‘A nice little cameo that Judi Dench hasn’t got her paws on’: Joan Plowright’s screen career blossomed with age | Peter Bradshaw
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You’re really spoiling us: Trump miscasts Gibson, Stallone and Voight by making them mere ambassadors
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‘A one-way trip to heaven’: cigarettes were David Lynch’s magic wand – and his undoing
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Joan Plowright – a life in pictures
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Billy Bob Thornton: ‘I didn’t want Johnny Cash to catch me looking in his fridge in my underpants’
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‘People often don’t feel treated as equals’: Adrien Brody on complexity, comebacks and The Brutalist
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