‘Nothing off limits’: Sam Mendes to direct four Beatles films – one about each member
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Dark Waters: unsung Todd Haynes legal drama is a masterclass in dread
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‘All for art’: why Russell Crowe shot Robin Hood for a month with two broken legs
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Double Feature review – Hitchcock and Hedren meet the Witchfinder General
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From Tucker Carlson to Johnny Depp, a celebrity bromance is the must-have accessory for the modern dictator | Marina Hyde
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Martin Scorsese takes on ‘intense’ acting role in Julian Schnabel Dante drama
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A Wolfpack Called Ernesto review – disturbing tales of children groomed by Mexico drug gangs
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The Moon Thieves review – absurd boyband heist movie is fiendishly watchable
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Monolith review – impressive first contact sci-fi seeks the truth out there
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Prince William is very rarely relatable – except when he’s at the Baftas | Zoe Williams
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Emma Stone embraces method dressing at Baftas with Bella Baxter-inspired look
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Disconnect Me review – man attempts digital cold turkey in personal-challenge journey
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Zineb Sedira: Dreams Have No Titles review – magic moments in the bar that can take you anywhere
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Cold Meat review – two-handed survival thriller goes deep into the icebound Rockies
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Backstage at the 2024 Baftas – in pictures
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History of Evil review – spooky-house horror set in future-fascist America
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Dor (Longing) review – Romanian sheep-herders discuss the meaning of life
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Baftas 2024: Emma Stone, Gillian Anderson and Cillian Murphy on the big night – in pictures
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Christopher Nolan’s Oppenheimer gamble pays off with Bafta night success
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Oppenheimer takes top Baftas – but Poor Things and Zone of Interest also triumph
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Sasquatch Sunset review – Riley Keough and Jesse Eisenberg suit up for ingenious Bigfoot comedy
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Sterben (Dying) review – the biggest conductor meltdown since Cate Blanchett’s Tár
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Baftas 2024: the red carpet, the ceremony, the winners – follow it live!
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The Taste of Things review –Juliette Binoche stars in deliciously subversive tale of later life love
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‘I try not to be a weirdo’: actor Andrea Riseborough on being true to herself
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Hors du Temps (Suspended Time) review – lockdown memoir revives childhood bliss
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Bob Marley: One Love review – the reggae superstar deserves a better film than this
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On my radar: Jack Rooke’s cultural highlights
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A Different Man review – Adam Pearson shines in oddball Doppelganger parable
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Mrs Hope: wife’s fight for justice over Observer writer’s death to be captured on film
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Paul Mescal – from lockdown TV crush to emblem of sad-eyed masculinity
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He broke your heart in Anatomy of a Fall. Now Messi the dog is a Hollywood A-lister
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Maya Hawke: ‘I would have found a way to be an artist, even if I had been adopted’
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Peter Bradshaw’s Baftas predictions: which films will win – and which should?
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With a stellar new cast, is Marvel finally doing right by the Fantastic Four?
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My Favourite Cake review – charming portrayal of a 70-year-old Iranian’s appetite for romance
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Christopher Nolan set for triumphant Baftas homecoming with Oppenheimer
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Ridley Scott set to direct Bee Gees biopic
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‘We will not accept fake patois’: Jamaican linguist on dialogue in Bob Marley biopic
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‘Of course I see the parallels to current affairs’: Babylon Berlin’s Liv Lisa Fries on playing an anti-Nazi fighter
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Small Things Like These review – Cillian Murphy’s piercingly painful Magdalene Laundries drama
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Asteroid City to Official Secrets: the seven best films to watch on TV this week
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1946 … 1999 …1971 … 2024? What was the best ever year for film?
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This is Me … Now: A Love Story review – JLo’s bombastic ode to love and herself
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Middle East crisis, Ukraine and far right combine to disrupt Berlin film festival
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‘I think kissing is beneficial, actually’: the whistling prodigy courted by Dr Dre, Barbie and Karen O
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Dr No: Sean Connery behind the scenes on the first James Bond film – in pictures
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David Tennant: ‘Kissing Michael Sheen was fine. He’d brushed his teeth’
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David Harewood: teach young actors resilience to face industry’s brutal side
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Interview With the Vampire review – Tom Cruise and Brad Pitt’s brilliant bloodsucking bromance
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‘We’re going to become fish’: how a ‘natural history fantasy’ found its way to the Baftas
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Marvel announces Fantastic Four cast including Pedro Pascal and Vanessa Kirby
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One From the Heart review – ambitious Coppola romance with charm and goofy innocence
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‘A gay plumber? What a tall tale’: the film showing changing attitudes to LGBTQ+ rights in Ukraine
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Getting It Back: The Story of Cymande review – the second life of a cruelly ignored UK funk band
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Selma Blair apologises for Islamophobic comment on social media
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The Promised Land review – Mads Mikkelsen is a Euro Gary Cooper in Nordic western
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Players review – Netflix’s Valentine’s romcom is a genre upgrade
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Do I want to watch arthouse films with fascists? No thanks, Berlin | Fatma Aydemir
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Someone’s Daughter, Someone’s Son review – stories of homelesness from a survivor
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Madame Web review – Marvel’s junky spin-off is a tangled mess
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Deliver Us review – delirious baby antichrist horror smothered in surreal visions
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Viktoria review – fierce, urgent intergenerational story from communist-bloc Bulgaria
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Stand up and be a fool: why film-makers love a karaoke scene
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The Letter Writer review – Cyrano-style love story set in 1960s British-occupied Dubai
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Prism review – three-part film essay turns the camera on race, colour and imperialism
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Super Bowl 2024: watch all the biggest new movie and TV trailers
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Taste the screen: the enduring appeal of food movies
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Christopher Nolan on track for best director Oscar after winning DGA award for Oppenheimer
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Head Count review – Burghart brothers’ tricksy crime drama has certain flair
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