Anora, tale of a stripper who marries a Russian oligarch, wins Palme D’or at Cannes
The Guardian
··
-
Older >
Source
Time
Score
-
-
‘Don’t be afraid’: exiled director Mohammad Rasoulof sends a message to Iranian cinema from Cannes
The Guardian
··
-
Cannes 2024 week two roundup – scuffles, screwballs and spellbinders
The Guardian
··
-
Super Size Me: the film that sounded a fast-food alarm in America
The Guardian
··
-
From Furiosa to We Are Lady Parts: a complete guide to this week’s entertainment
The Guardian
··
-
‘I was born to be a paparazzo’: Rino Barillari on royalty, the dolce vita era and his run-in with Depardieu
The Guardian
··
-
Cowboycore, Catherine Deneuve and Bella Hadid in vintage Versace: the Cannes red carpet part two
The Guardian
··
-
Super Size Me was a terrific cheeky stunt – small wonder Morgan Spurlock never matched it
The Guardian
··
-
The Seed of the Sacred Fig review – Mohammad Rasoulof’s arresting tale of violence and paranoia in Iran
The Guardian
··
-
Post your questions for Harry Hill
The Guardian
··
-
‘I paid for it’: tennis bad boy Ilie Năstase revisits confrontational career
The Guardian
··
-
Super Size Me director Morgan Spurlock dies aged 53
The Guardian
··
-
Shatner, Pine, or a Kirk triple whammy: where should Star Trek boldly go next?
The Guardian
··
-
The Beach Boys review – rather too sunny account of 60s pop legends’ story
The Guardian
··
-
Valeria Golino: ‘I’m not a man-hater. I am a lover of men’
The Guardian
··
-
On the Cannes red carpet, it’s film-makers’ turn to shine
The Guardian
··
-
Atlas review – Jennifer Lopez learns to love AI in silly Netflix mockbuster
The Guardian
··
-
Jane Asher: ‘Would I do another nude scene? Never say never!’
The Guardian
··
-
‘I wanted to scrape it from my eyeballs’: critics on their zero-star savagings
The Guardian
··
-
Sorry Seth Rogen, but if cinemas are the new museums, the movies really are in trouble | Stuart Heritage
The Guardian
··
-
Indiana Jones and the Temple of Doom at 40: Spielberg’s hit-and-miss relic
The Guardian
··
-
Hit Man review – Richard Linklater’s thoroughly entertaining fake-killer caper
The Guardian
··
-
French cinema tried to hide its violence against women. At Cannes, we’re calling it out | Rokhaya Diallo
The Guardian
··
-
Motel Destino review – terrifically acted Brazilian erotic noir thriller
The Guardian
··
-
Authorized big-screen biopic of George Floyd in the works
The Guardian
··
-
Grand Tour review – engaged couple’s sweet, strange colonial era hide-and-seek
The Guardian
··
-
Raphael: A Portrait review – lengthy but illuminating study of Renaissance master
The Guardian
··
-
William Shatner: You Can Call Me Bill review – captain’s log is short on detail
The Guardian
··
-
Parthenope review – Paolo Sorrentino contrives a facile, bikini-clad self-parody
The Guardian
··
-
Was Cate Blanchett’s Cannes dress a pro-Palestinian protest – or an optical illusion?
The Guardian
··
-
Marcello Mio review – droll Catherine Deneuve best thing in twee Mastroianni family whimsy
The Guardian
··
-
‘This garbage is pure fiction’: when subjects hit back at their biopics
The Guardian
··
-
The Garfield Movie review – foul feline origin tale is littered with product placement
The Guardian
··
-
Pandemonium review – wintry gloom as ghost of dead driver meets the biker he killed
The Guardian
··
-
Saturday Night Fever dancefloor to be auctioned with $300,000 estimate
The Guardian
··
-
Anora review – stellar turn from Mikey Madison in sex work non-love story
The Guardian
··
-
Disney’s Pixar to cut 14% of workforce as it scales back original streaming content
The Guardian
··
-
Slow review – intimate portrait of asexual romance unfolds at unhurried pace
The Guardian
··
-
Rumours review – close encounters for Cate Blanchett and the magnificent G7
The Guardian
··
-
The Present review – family grandfather clock comedy is time-consumingly dull
The Guardian
··
-
The Boy in the Woods review – boys’ own tale of Holocaust fugitive forced to fend for himself
The Guardian
··
-
5lbs of Pressure – drugs, murder and a likable Rory Culkin in low-key crime drama
The Guardian
··
-
The Apprentice: Trump campaign threatens legal action over biopic that depicts him as a rapist
The Guardian
··
-
The Artist review – peppy stage show adds volume to silent cinema hit
The Guardian
··
-
The Shrouds review – David Cronenberg gets wrapped up in grief
The Guardian
··
-
The Apprentice review – cartoon version of chump-in-chief Donald Trump’s early years
The Guardian
··
-
Breathless goodbye: the race to finish Jean-Luc Godard’s last film, one day before he died
The Guardian
··
-
This World Is Not My Own review – fascinating study of black artist Nellie Mae Rowe
The Guardian
··
-
‘I identified with those worries’: George MacKay on masculinity, misogyny and playing an incel
The Guardian
··
-
Mongrel review – Zen-like tale of compassion and suffering among migrant care workers
The Guardian
··
-
What Remains on the Way review – startling insight into the struggles of US border migrants
The Guardian
··
-
‘All anyone will care about is the dog!’ Oscar sensation The Artist hits the stage – but can Uggie boogie?
The Guardian
··
-
‘Information can be bent. Emotions are always honest’: the film at the heart of Ukraine’s agonising evacuations
The Guardian
··
-
‘I burned out – and started mowing lawns’: a reality-bending chat with Harmony Korine
The Guardian
··
-
The Substance review – Demi Moore is game for a laugh in grisly body horror caper
The Guardian
··
-
Horizon: An American Saga – Chapter 1: Costner casts himself as wildly desirable cowboy
The Guardian
··
-
Limonov: The Ballad review – Ben Whishaw brilliant as Russia’s outlaw bohemian
The Guardian
··
-
Catching Fire: The Story of Anita Pallenberg review – suitably enigmatic portrait of the mercurial Stones muse
The Guardian
··
-
Tiger Stripes review – entertaining Malaysian horror shows its claws
The Guardian
··
-
Bermondsey Tales: Fall of the Roman Empire review – fast, furious and rather grating London crime caper
The Guardian
··
-
Two Tickets to Greece review – a holiday you may want to cut short
The Guardian
··
-
IF review – imaginary friends reunited in a kid-pleasing live-action fantasy
The Guardian
··
-
‘It’s all been preposterous’: Stephen Merchant on fame, standup and the pressures of cancel culture
The Guardian
··
-
The Balconettes review – neighbours finding trouble in invitation to hot guy’s flat
The Guardian
··
-
George Miller: ‘Where do I keep my Oscar? I swear, I don’t know’
The Guardian
··
-
Emilia Perez review – Jacques Audiard’s gangster trans musical barrels along in style
The Guardian
··
-
Sex, rape, cannibals: what Yorgos Lanthimos did after Poor Things
The Guardian
··
-
Hoard review – uncomfortable drama with a magnetic lead performance
The Guardian
··
-
The Fall Guy to Megalopolis: is 2024 the year of the box-office megaflop?
The Guardian
··
-
Cannes 2024 week one roundup – the jury’s out, the sun isn’t…
The Guardian
··
