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Sunday with Rufus Hound: ‘We’ll throw each other around for hours on end’
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Small Things Like These review – Cillian Murphy shines as quiet hero in powerful 80s Ireland morality tale
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Mark Kermode on… composer John Williams, master of unforgettable blockbuster soundtracks
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From Anora to The Day of the Jackal: a complete guide to this week’s entertainment
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Juror #2: the curious case of the missing Clint Eastwood film
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Alien: Romulus thrilled fans – how can its follow-up avoid the saga’s past mistakes?
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Post your questions for Elizabeth Hurley
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The Holdovers to Airplane! The seven best films to watch on TV this week
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‘Downright terrifying’: readers on their scariest horror villains
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Three producers suing Rebel Wilson seek to delay case to investigate who is behind website that published ‘grotesque lies’
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‘She doubled down on danger’: Lucy Lawless on making a movie about a real-life warrior princess
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Avengers stars assemble to endorse Kamala Harris – by brainstorming an election catchphrase
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‘A revelation and a joy’: Mike Leigh pays tribute to cinematographer Dick Pope
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Listen Up! review – tonally jarring comedy on multicultural integration and teenage trans identity
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‘It’s the damnedest thing I’ve ever seen’: 10 film flops that became classics – ranked!
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‘I was a coke fiend, I made a lot of bad choices’: Garrett Morris on SNL’s early days – and how the show lost its courage
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Super/Man: The Christopher Reeve Story review – fascinating tribute undermined by bombast
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‘Genuinely disturbing’: Guardian writers on their scariest horror villains
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Heretic review – religious horror with a suave, dapper and evil Hugh Grant
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Time Cut review – tinny time-travel Netflix slasher offers too much deja vu
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‘After the shoot, we had a party in a slaughterhouse’: horror movies’ creepiest kids reveal all
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Juror #2 review: Clint Eastwood puts Nicholas Hoult in court – and an unusual pickle
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Martha review – sharp if spotty Netflix retrospective on Martha Stewart
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Music by John Williams review – the man behind the soundtracks, from Star Wars to Superman
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This Search for Meaning review – slick reminder of radical rockers Placebo
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Midas Man review – Jacob Fortune-Lloyd is heartfelt as Beatles’ kingmaker
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Fright club! Hollywood’s golden age goes ghoulish – in pictures
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Dr Strangelove review – Steve Coogan scores a quadruple cold war coup
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Teri Garr, actor from Tootsie and Friends, dies aged 79
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Here review – cursed Forrest Gump reunion is a total horror show
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I don’t expect stone-cold truths from a chatshow, but Saoirse Ronan delivered one | Marina Hyde
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Armie Hammer is back … and this time he has a podcast
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Colin Farrell’s Dublin marathon run raises €774,000 for charity
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Dangling a carrot: how Netflix is luring Hallmark viewers with a hot snowman
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Robert Downey Jr: ‘I will sue all future executives who make AI replicas of me’
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Birth at 20: Jonathan Glazer’s magnificent, misunderstood masterpiece
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From Anna Kendrick to Dev Patel – how easy is it for actors to direct themselves?
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S8, Ep6: Richard E Grant, actor
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‘You’re always scared’: hit French film’s star on his fight for residency
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Paul Morrissey, cult filmmaker and Andy Warhol collaborator, dies at 86
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Bossing it: first photo of Jeremy Allen White as Bruce Springsteen
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Slingshot review – Casey Affleck is impeccable in solid sci-fi saga
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Robert Downey Jr on Elon Musk ‘cosplaying Tony Stark’: ‘I wish he’d control his behaviour’
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Dark Feathers review – erotic hitwoman thriller approaches The Room levels of kitsch disaster
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Vampires, satanists and mad scientists: the evolution of horror in 10 revolutionary films
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The Delights review – in-depth look at rural schoolboys reveals a hidden Argentina
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The Divided Island review – emotional stories from all sides of the Cyprus conflict
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Wallace & Gromit: Vengeance Most Fowl review – first they came for the trousers. Then they came for the robot gnome
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Dahomey review – Mati Diop’s exquisite tale of repatriation
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Venom: The Last Dance review – Tom Hardy’s jaded antihero carries messy Marvel finale
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The World of Tim Burton review – a tour around a singular creative mind
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‘We just have to keep fighting’: a shocking new film on the danger of US abortion laws
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Emilia Pérez review – Jacques Audiard’s riotously entertaining trans Mexican cartel musical
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A close encounter with Richard Gere, 1998
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The Room Next Door review – Almodóvar’s stylish end-of-life drama feels emotionally empty
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No more Mr Nice Guy: how Hugh Grant transformed himself into an edgy national treasure
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The Terminator at 40: did James Cameron see into the future?
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Streaming: The Substance and the best body horror for Halloween
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‘I thought I’d die at Armageddon’: Hollywood action hero Luke Evans on growing up gay as a Jehovah’s Witness
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From Venom: The Last Dance to Generation Z: a complete guide to this week’s entertainment
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Canary Black review – Kate Beckinsale kicks impeccably chic ass in gender-flipped Taken
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Kate Bush: Little Shrew review – this devastating film will make you weep at war’s violence against children
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Paul Mescal reveals he was cast in Gladiator II after 30-minute Zoom call
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Lee to Music By John Williams: the seven best films to watch on TV this week
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Cyclops, Martians and Myths: the art of Ray Harryhausen – in pictures
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Don’t Move review – high-concept Netflix survival thriller has its moments
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‘Chaos is great. This time it went over the top’: Andrea Arnold and Robbie Ryan on 21 years of film and friendship
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‘I never really learned anything from anybody’: Isabelle Huppert on 50 years in film
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Share your experience of being a runner for film or TV
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