‘Sexy, sweaty and surprising – with a really big ending’: readers’ best films of 2024 so far
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Twelve Days shows the small details of Roger Federer’s seismic exit
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Fancy Dance to Black Barbie: the seven best films to watch on TV this week
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‘My heart does not have any other job’: Lhakpa Sherpa, the record-breaking Nepalese climber who cleans houses in Connecticut
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Donald Sutherland was an irreplaceable aristocrat of cinema | Peter Bradshaw
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Ken Jeong: ‘I’d make a horrible spy. I would betray someone very quickly’
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Rite Here Rite Now review – soft-metallers Ghost offer skits and shreds in fan-service film
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I Am: Céline Dion review – an earnest love letter from one of the last true divas
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Unoriginal sins: why does Russell Crowe keep making exorcism movies?
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Hacked Game Boys and horseplay! Jarman award shortlist celebrates thinking outside the box
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Chinatown at 50: has there been a greater screenplay since?
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‘They ride, they drink, they get dangerous’: the blazing film inspired by the Hells Angels’ biggest rivals
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Diane von Fürstenberg: Woman in Charge review – hedonist fashion-biz phenom has tales to tell
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Something in the Water review – Bridezilla vs Jaws as shark stalks seagoing wedding party
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‘Someone who looked like me’: the women who created Black Barbie
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A Dry White Season review – Marlon Brando heads starry cast in ground-breaking apartheid drama
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Red Eye: Wes Craven’s flight from hell is piloted brilliantly from start to end
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Anouk Aimée – a life in pictures
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Anouk Aimée, star of La Dolce Vita and A Man and a Woman, dies aged 92
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Super Seniors review – the near-miraculous feats of tennis players in their 80s and 90s
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‘Quite a scrap’: David Leland on the fight that Tim Roth started to get cast in Made in Britain
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Jade review – big hair and high kicks from the new Foxy Brown
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Deadland review – melancholy horror smuggles deep themes across the US-Mexico border
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Inside Out 2: Joy v Anxiety, puberty, and the big secret – discuss with spoilers
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What does Steve Coogan’s Lost King case mean for future biopics?
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‘I was totally devastated’: readers on their saddest movie deaths
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Inspector Sun and the Curse of the Black Widow review – cosy eight-legged crime caper
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Joy for Pixar as Inside Out 2 smashes expectations – and box office records
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The G review – Dale Dickey is gamechanging gangster granny out for vengeance
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Àma Gloria review – French coming-of-age drama is a modest gem
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‘We’re excited’: arthouse hits draw young UK filmgoers to a summer of subtitles
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Hounds review – grim and quirky Moroccan crime drama
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Treasure review – Lena Dunham and Stephen Fry can’t save muddled father-daughter Holocaust drama
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Stephen Fry: ‘The Conservatives are what we call in poker a busted flush’
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Sasquatch Sunset review – brilliant bigfoot oddity is unexpectedly moving
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‘I don’t want to take these characters home’: Jesse Plemons on life playing the psychopath next door
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‘It always destroys me’: our writers on their saddest movie deaths
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Inside Out 2 to House of the Dragon: a complete guide to this week’s entertainment
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Streaming: the best films about elections
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Blur: To the End review – sentimental journey for four likely lads on their way to Wembley
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Divine comedies: the best jokes for the Pope
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Eddie Redmayne says Warren Beatty offered to bail him out after email hack
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Her Name Was Moviola review – ode to editing machine a geekgasm for analogue fans
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The End We Start From to Federer: Twelve Final Days – the seven best films to watch on TV this week
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Star Trek III: The Search for Spock review – Kirk sacrifices all in the name of bromance
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Amy Poehler: ‘If we want young people to fix everything, why do we make fun of them?’
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Neil Jordan claims ex-taoiseach told him of money-for-endorsement agreement
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Don’t you know who I am? Why vox-poppers failing to spot celebrities is such a good thing
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The Texas Chain Saw Massacre review – original 1974 shocker is grotesque but brilliant masterpiece
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Jude Law reveals he turned down playing Superman: ‘It just felt like a step too far’
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Fantasia to Flesh and Fantasy, the Coens to Cavalcanti: anthology films – ranked!
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‘It could have been us’: filming the devastation after the Turkish-Syrian earthquakes
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Arcadian review – Nicolas Cage lies low in tense post-apocalyptic thriller
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‘Brexit made Polish culture more visible’: how the diaspora is changing Britain
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‘I thought it would be a tinpot movie’: myths and reality of Chariots of Fire and the 1924 Olympics
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Russell Crowe: I’m ‘slightly uncomfortable’ with Gladiator 2
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Hard stares ready: first trailer released for Paddington 3
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‘The big story of the 21st century’: is this the most shocking documentary of the year?
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Matt Bomer claims he missed out on Superman role because of his sexuality
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Sorcery review – orphaned girl out for revenge in unsettling Indigenous horror
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The sad, stupid rise of the sigma male: how toxic masculinity took over social media
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Àma Gloria review – amazing performances in sensitive drama about a kid and her nanny
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Looking back on life in the Brat Pack: ‘It never existed in any real way’
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Imelda Staunton and Olivia Colman call for urgent political support for the arts
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Hounds review – pitch-black comedy drama of hapless Moroccan dog-fighting hoodlums
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Françoise Hardy, French pop singer and fashion muse, dies aged 80
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Paramount tycoon Shari Redstone pulls the plug on proposed Skydance merger
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Tell us your favourite film of 2024 so far
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‘We anchored ourselves in wild adventure!’ Tilda Swinton on her trippy film about learning, AI and neuroscience
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Julia Louis-Dreyfus pushes back on Jerry Seinfeld’s ‘PC crap’ comments
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