Jackpot! review - Awkwafina and John Cena strapped into stunt-heavy action comedy
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Lone Star review – John Sayles’s powerful crime drama is an extraordinary relic of 90s film-making
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‘Ballet is so punk rock’: Neve Campbell and Karen Kain on pressure, pain – and partnering Nureyev
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Charade: Audrey Hepburn and Cary Grant are irresistible in this frothy thriller
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Corey Yuen, martial arts director and Jet Li collaborator, died in 2022, Hong Kong film federation confirms
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The Hypnosis review – watch-through-your-hands squirmfest as woman loses inhibitions
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‘How Disney adults recharge their magic’: inside Disney’s epic – and expensive – superfan event
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How do Ukrainians survive the traumatic guilt of war? For many, the answer is art | Charlotte Higgins
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Swan Song review – behind-the-scenes race to get a ballet afloat
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‘Then Zelenskiy called for him to go’: Kevin Macdonald on how his film about Kyiv’s ex-boxer mayor suddenly heated up
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A Life Like Any Other review – wonderfully moving look back at a mother’s resilience
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TV Tonight: astonishing story of film-maker who tracked tigers for decades
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‘The younger generation condemn us’: stars of Madwomen of the West hit back at cancel culture
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Tuesday review – Julia Louis-Dreyfus shines in fatalistic fairytale
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‘Actors are strange animals’: Jack Lowden of Slow Horses on playing an alcoholic and working with his new wife, Saoirse Ronan
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The Instigators review – Matt Damon and Casey Affleck languish in heist caper misfire
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Babes review – Pamela Adlon’s caustically funny pregnancy comedy
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‘I see the world for what it is’: actor Naomi Ackie’s rage-fuelled rising star
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Cinema posters through the decades – in pictures
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Alicia Vikander: ‘If you’re depicting an abusive relationship, you can’t shy away’
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Avatar, Tron, Fantastic Four and Star Wars: Disney rolls out raft of new films at fan event
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From The Instigators to Bludfest: a complete guide to this week’s entertainment
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Joaquin Phoenix exits Todd Haynes gay drama five days before filming begins
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Luce review – enigmatic Italian drama of dreams and drones
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Is this really the end of the line for Deadpool? Disney will never turn off the money tap
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‘There is an incredible hunger for it’: why classic films are making a comeback in cinemas
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Daughters to Three Thousand Years of Longing: the seven best films to watch on TV this week
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‘Designed to tear families apart’: a shocking film exposes abuse and infanticide
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‘Sobbing in the aisles’: writers on their most memorable parent-kid film experiences
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Colin Farrell opens up about son with Angelman syndrome: ‘We still struggle’
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Borderlands review – Cate Blanchett is wasted in janky video game adventure
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Jack Black says Tenacious D will return after Trump joke controversy
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Disney returns to profit as streaming service and Inside Out 2 boost income
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Broad City’s Ilana Glazer on her new pregnancy comedy: ‘I had no idea how effortful having children is’
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Tuesday review – kooky macaw is angel of death for Julia Louis-Dreyfus in hipster silliness
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Gracie and Pedro review – star names can’t make up for charmless cat and dog odd couple
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Sky Peals director Moin Hussain and star Faraz Ayub: ‘People want to identify in one way – but our culture is mixed’
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Cuckoo review – stylish horror offers atmosphere with incoherence
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Daughters review – heartbreaking record of girls and their imprisoned fathers
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Chris Thorburn: Cineman review – heard the one about Sex Times at Spring Break High?
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Radical review – Mexico’s heartwarming answer to Dead Poets Society makes the grade
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Duchess review – sneers and smiles in noughties throwback Brit-crime revenger
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Missile attacks and masterpieces: Mike Figgis on the bravery of a film festival under fire in Ukraine
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Dark summer: why film noirs often work better in the sunshine
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Goodbye hot rodent, hello beefcake: the return of the hunk
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David Lynch says he is too ill to direct films in person
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Together 99 review – quarter-century renuion for Lukas Moodysson’s Swedish commune comedy
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Rebel Moon: what do Zack Snyder’s extravagant Netflix director’s cuts add?
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Ozi: Voice of the Forest review – simian version of Greta Thunberg takes on evil corporation
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The Last Human review – despair and hope for Greenland youth in crosshairs of climate peril
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The second act of Sam Neill: ‘The truth was, I didn’t know how long I had to live’
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Harold and the Purple Crayon review – sketchy live-action adaptation
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A Place Called Silence review – suspenseful Malaysian high school horror reboot
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Alma’s Rainbow review – 90s New York tale of Black womanhood and sexuality is worth the wait
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British artist’s cartoons that inspired Bond films on show at Oscars museum
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Dìdi review – bittersweet Asian American coming-of-age drama
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Kensuke’s Kingdom review – impeccably elegant animation of Michael Morpurgo adventure
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Mark Kermode on… director Hayao Miyazaki, who speaks to the child in all of us
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‘It’s foolish to mask your age. Accept it. Present it’: Jeff Goldblum on vanity, mortality and becoming a father in his 60s
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From Kensuke’s Kingdom to Justin Timberlake: a complete guide to this week’s entertainment
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Trap review – M Night Shyamalan’s concert thriller is a mess
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Tom Cruise to rappel off Stade de France in Olympics closing ceremony
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Bafta introduces new prize for best children’s and family film
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Tell us: do you bring your own snacks to the cinema?
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Grab your Ouija board: behind Fear the Spotlight’s 90s-inspired horror
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Robert Downey Jr’s MCU return is like trying to bottle lightning twice. Can you hear the Marvel thunder?
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‘It’s not a theoretical proposition’: the ‘war game’ imagining a coup in the US
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Kingdom of the Planet of the Apes to Mission: Impossible – the seven best films to watch on TV this week
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Saving Bikini Bottom: The Sandy Cheeks Movie review – another enjoyably madcap SpongeBob adventure
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Un oeuf is enough: have we had our fill of movie Easter eggs?
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