‘We never went down the Aardman route’: how the Brothers Quay rocked the animation world
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Harvest review – folk non-horror an exasperating experience
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‘There’s nothing intimate about filming a sex scene’: Daniel Craig opens up about new film Queer
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2073 review – Asif Kapadia rages against the death of democracy and our planet
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Red Rooms review – fashion model fixates on a serial-killer in unsettling dark-web horror
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The Whip review – carer turns to crime in a heist movie with a conscience
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My First Film review – charismatic new star beefs up audacious grad school-style project
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The Room Next Door review – Almodóvar spins a gorgeous, fragile tale of life and death
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Pedro Almodóvar: ‘There should be the possibility to have euthanasia all over the world’
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‘Let them kick the crap out of the songs’: how we recreated the Beatles to make Backbeat
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Fitting In review – rare biological condition gets thrown into typical teen movie mix
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Fragile Memory review – a personal tribute to a prolific Soviet film-maker
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Don’t Forget to Remember review – art, identity and the slow disintegration of dementia
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Wolfs review – Pitt and Clooney are job-sharing loners in Spidey-meme of a thriller
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Don’t believe supposed salary figures for new film Wolfs, says Clooney
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From Darkness to Light review – Jerry Lewis’ infamous Holocaust film rescued from oblivion
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Mandoob (Night Courier) review – Saudi crime thriller delves into the secrets of Riyadh
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‘Like criticising a book that has 700 pages’: The Brutalist director defends long films
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The Count of Monte Cristo review – highly enjoyable French costume spectacle
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Close to You review – Elliot Page struggles to bring transgender drama to life
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‘Can we show an act of violence on TV?’ New thriller tells story of Munich hostage massacre
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‘Everyone recognises her now – me, not so much’: Arthur Harari on how Anatomy of a Fall catapulted him and Justine Triet to film power couple status
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Paradise Is Burning review – compelling Swedish drama of three abandoned sisters
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Sing Sing review – Colman Domingo is magnetic in moving real-life US prison drama
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Campo di Battaglia review – medicos face off in stately first world war hospital drama
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From Charli XCX and Van Gogh to Gladiator 2: the best culture to go out and see this autumn
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‘You’re part of the tornado’: the summer of moviegoing game-changer 4DX
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Mark Kermode on… Martin Scorsese’s love of British cinema
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From Sing Sing to Star Wars Outlaws: a complete guide to this week’s entertainment
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Babygirl review – Nicole Kidman overwhelmed by lust as CEO having torrid and toxic affair
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AfrAId review – throwaway AI-themed horror devoid of suspense
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Nicole Kidman’s erotic drama Babygirl sets pulses racing at Venice film festival
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‘They’d come to take our heads’: the surfing daredevils who risked everything for the perfect wave
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One to One: John & Yoko review – fun, fierce, full-blooded portrait of Lennon and Ono
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‘Ashamed. Embarrassed’: Jerry Lewis’s infamous Holocaust clown film that never was
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Hugo Weaving says he spent too long on Middle-earth. But he’s not the first actor to detest a classic
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Robert Sheehan: ‘My anxiety had got to the point where if I was left alone I was a twitching mess’
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Kinds of Kindness to RoboCop: the seven best films to watch on TV this week
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‘You laugh the hardest in grief’: And Mrs, the cathartic romcom about marrying your dead fiance
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Kill the Jockey review – a mercurial, skittish crime drama whose hero is a drug-fuelled rogue
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Maria review – Angelina Jolie plays the diva in magnificent stroll around the cult of Callas
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‘World’s largest’ piracy ring Fmovies shut down by police in Vietnam
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Riefenstahl review – deep-dive study takes down the Nazis’ favourite director
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Angelina Jolie says women are defined too much by other people’s perceptions
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‘I didn’t know romcoms were so fun!’: the return of Gemma Arterton’s utterly charming 60s drama
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Jason Schwartzman: ‘I was the kid driving around all the record stores buying all the Oasis singles’
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Sing Sing review – Colman Domingo is larger than life in big-hearted prison drama
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Separated review – Errol Morris’s quietly furious takedown of Trump’s inhumane border policy
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Summer box office 2024: what were the big winners and losers?
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The Lord of the Rings: The Rings of Power season 2 review – needs to remember it’s a drama
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Kaos review – Jeff Goldblum’s furiously fun Greek gods drama is a masterpiece
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Beetlejuice Beetlejuice review – Tim Burton sequel takes retro joyride through old haunts
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Palestinian film-makers sign letter protesting at Hollywood’s ‘inhumanity and racism’
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‘The last wild places’: the Venice show about Earth’s spiralling salt marsh crisis
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Film suggests Nazis’ lead propagandist had role in 1939 massacre
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Milk & Serial: the vicious, viral $800-budget horror that’s free to watch
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Golden-age Hollywood stars (and their pet lions) – in pictures
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And Mrs review – love never dies for Aisling Bea in barmy Brit romcom
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Blink Twice and the problem with #MeToo thrillers
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What if loveless sex made us sick? The very strange, very French world of Mauvais Sang
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‘January 6 was just the warm-up’: the film that tracks three Maga extremists storming the Capitol
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Francis Ford Coppola confirms he kissed extras on Megalopolis set
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Point of Change review – how ‘surf explorers’ wrecked a tiny Indian Ocean paradise
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Mandoob (Night Courier) review – darkly amusing gig-economy satire on the mean streets of Riyadh
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Mary Poppins at 60: a dazzling Disney masterpiece that hasn’t lost its shine
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Paradise Is Burning review – teens survive on wits in dreamy coming-of-age drama
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‘It made him an A-lister’: John Ford’s breakthrough film The Iron Horse at 100
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‘His spirit is everywhere’: the fascinating story of Jimi Hendrix’s Electric Lady studio
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Horror films were reviled as one step up from pornography – now the genre is a force to be reckoned with
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Natural Born Killers at 30: Oliver Stone’s brash button-pusher remains tiresome
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