From The Simpsons to Werner Herzog: the coolest, craziest, scariest Nessies ever
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Bath, balls and Darcy’s pile: where to celebrate Jane Austen’s 250th anniversary
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There’s No Time Like the Present by Paul B Rainey review – a funny, unpredictable and wild comic
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What Is Free Speech? The History of a Dangerous Idea by Fara Dabhoiwala review – a flawed polemic
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Universality by Natasha Brown review – a fabulous fable about the politics of storytelling
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Why decolonise Shakespeare when all the world’s a stage for his ideas on injustice? | Kenan Malik
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John & Paul: A Love Story in Songs by Ian Leslie review – let it be the new gold standard in Beatles studies
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Poet Jason Allen-Paisant: ‘We belong in the picture’
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Reid Hoffman: ‘Start using AI deeply. It is a huge intelligence amplifier’
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Ukraine’s clandestine book club defies Russia’s push to rewrite history
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The future happens in Oakland first. That’s a cautionary tale for global cities
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Did my Jewish great-grandfather make chemical weapons for the Nazis? Author Joe Dunthorne on a dark legacy
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Tom Gauld on abandonment issues – cartoon
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The Paris Express by Emma Donoghue review – countdown to disaster
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What is the meaning of life? 15 possible answers – from a palliative care doctor, a Holocaust survivor, a jail inmate and more
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Mutiny brews in French bookshops over Hachette owner’s media grip
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The Guardian view on climate fiction: no longer the stuff of sci-fi | Editorial
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‘More are published than could ever succeed’: are there too many books?
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Is Hollywood really going to ditch the anti-fascist satire in its Starship Troopers remake?
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‘Every push forward is opposed by backward forces’: why the new Rebel Girls book is more needed than ever
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David Szalay: ‘In a sense, all fiction is fan fiction’
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Stag Dance by Torrey Peters review – genre games and gender mischief
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The Women’s Orchestra of Auschwitz by Anne Sebba review – playing for their lives
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Meta exposé tops bestseller chart despite company’s attempt to ban its promotion
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Gisèle Pelicot announces she will publish a memoir
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Alex Wheatle, novelist and ‘Brixton Bard’, dies aged 62
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Changing My Mind by Julian Barnes review – a manifesto for open-mindedness
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I Want to Go Home But I’m Already There by Róisín Lanigan review – a housing crisis ghost story
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‘The female gaze interested me more’: the radical vision of Dona Ann McAdams – in pictures
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Eley Williams and Ferdia Lennon shortlisted for Dylan Thomas prize
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Snow White review – Disney’s exhaustingly awful reboot axes the prince and makes the dwarves mo-cap
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JK Rowling appears to criticise Harry Potter’s three stars amid feud
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Where to start with: Chimamanda Ngozi Adichie
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Penis-inscribed tables and parking meter chairs: the lost queer genius of House of Beauty and Culture
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Theft by Abdulrazak Gurnah review – love and betrayal from the Nobel laureate
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‘Like seeing an old friend’: Oyinkan Braithwaite on My Sister, the Serial Killer becoming a ballet
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Who Is Government? by Michael Lewis review – what Doge is trying to destroy
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George Orwell and me: Richard Blair on life with his extraordinary father
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Samantha Harvey and Téa Obreht shortlisted for inaugural Climate fiction prize
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Romantasy, Bridgerton, audio porn apps: it’s a great time for horny ladies
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Authors await overdue payments as publisher Unbound goes into administration
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Tell us about your favourite Jane Austen books
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Dracula: A Comedy of Terrors review – batty antics with a Rocky Horror bloodsucker
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Astonishing Things: The Drawings of Victor Hugo review – masterpieces from a man with a heart as big as the Notre Dame
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My beloved tube station book-swap has gone. Who’s to blame for its passing? | Zoe Williams
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Sunrise on the Reaping by Suzanne Collins review – second Hunger Games prequel is not for the faint-hearted
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Going to Mars: The Nikki Giovanni Project review – electric film about radical thinker and poet
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Theft by Abdulrazak Gurnah review – a masterclass in quicksilver storytelling
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The big idea: do we worry too much about misinformation?
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Norwegian writer Dag Solstad dies aged 83
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Tom Gauld on portents of doom – cartoon
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Alive: An Alternative Anatomy by Gabriel Weston review – our bodies in an eye-opening new light
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‘The Polynesians loved him’: the astonishing revelations that cast Paul Gauguin in a new light
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Scouse Republic by David Swift review – does Liverpool walk alone?
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Bookish: How Reading Shapes Our Lives by Lucy Mangan review – never lost for words
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Maternity Service by Emma Barnett review – a tour of duty in early motherhood
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On my radar: Georgia Ellery’s cultural highlights
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Michael Lewis and John Lanchester: ‘Trump is a trust-destroying machine’
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Stories of Ireland by Brian Friel review – a solid gold treat
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In brief: Bowieland; Deep Cuts; The Inalienable Right – review
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‘We remember as true things that never even happened’: Julian Barnes on memory and changing his mind
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Careless People: A Story of Where I Used to Work by Sarah Wynn-Williams review – a former disciple unfriends Facebook
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Róisín Lanigan: ‘I moved to London and got bedbugs’
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‘We’re going to talk about death today – your death’: a doctor on what it’s like to end a life rather than extend one
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Judgy kids, road-trips and ‘epic scenes of female masturbation’: welcome to the new midlife crisis novel
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‘Much darker than Pride and Prejudice!’: authors pick their favourite Jane Austen novel
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‘New York plows ahead’: how the English invaded and changed a city
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Nova Scotia House by Charlie Porter review – radical visions of gay 90s London
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Funding fights, memoirs by Boris Becker and Stallone, plus the queen of romantasy: this year’s London book fair
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The Guardian view on the chess boom: how rooks and knights captured the world | Editorial
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